Newly remastered and gathered under one roof for the first time, the Decca recordings of Hans Knappertsbusch conducting Bruckner: a legendary combination.
For record collectors in the 1950s and 60s, the names of Bruckner and Knappertsbusch (‘Kna’) were practically synonymous. At a time when the composer’s symphonies were routinely compared to Gothic cathedrals, the rough grandeur, steady pulse and towering climaxes of these readings marked out the conductor as an architect of symphonic majesty.
Record companies did not have to work hard to cultivate this image, thanks to Knappertsbusch’s craggy visage, imposing presence on the podium and decades of Wagnerian experience at Bayreuth. At a time when Wagner’s Parsifal was still experienced as a primarily sacred music drama, the major works of Bruckner were likewise understood in semi-sacred terms as concert-hall rites, and who better to pierce their mysteries than Parsifal’s pre-eminent interpreter?
Knappertsbusch began recording Bruckner for Decca in 1954, with the Third. The Fourth and Fifth quickly followed, also from Vienna, and then the Eighth arrived as an appendix from Munich, first issued on the Westminster label in 1963. By then the conductor’s readings of Romantic repertoire had become less impulsive, even more monumental in concept, but still lightened by a natural feeling for the dance rhythms in Bruckner’s scherzos and Ländler themes.
Knappertsbusch persisted in conducting from editions prepared by Bruckner’s pupils, notably the Schalk brothers, with their liberal re-scorings and cuts, to the finales in particular – all outlined in a perceptive booklet essay by Antony Hodgson. In the light of recent scholarship and a more nuanced perspective on Bruckner’s evolving intentions with the composing and revising of his symphonies, these performances gain a certain, compelling authenticity of their own. No Brucknerian can afford to be without them.
ANTON BRUCKNER (1824–1896)
1–4 Symphony No. 3 in D minor
1–4 Symphony No. 4 in E flat major ‘Romantic’*
1–4 Symphony No. 5 in B flat major
5 Symphony No. 8 in C minor (movement I)
1–3 Symphony No. 8 in C minor (movements II–IV)
Wiener Philharmoniker (Nos. 3, 4 & 5)
Münchener Philharmoniker (No. 8)
*FIRST INTERNATIONAL CD RELEASE ON DECCA
Recording Producers: Victor Olof (No. 3); Victor Olof, Peter Andry (Nos. 4 & 5); Kurt List (No. 8)
Balance Engineers: Cyril Windebank (Nos. 3 & 4); Gordon Parry, James Brown (No. 5); Adolf Enz, Raymond Fügistaler (No. 8)
Recording Locations: Grosser Saal, Musikverein, Vienna, Austria, 1–3 April 1954 (No. 3), 29–31 March 1955 (No. 4); Sofiensaal, Vienna, Austria, 3–6 June 1956 (No. 5); Bavaria Studios, Munich, Germany, January 1963 (No. 8)
Remastering Engineer: Chris Bernauer
Original LP Releases: Decca LXT 2967 (Symphony No. 3: October 1954); Decca LXT 5065-66 (No. 4: March 1955); Decca LXT 5255-56 (No. 5: December 1956); Westminster GWM2 (No. 8: 1963)
Cover Photograph: Hans Knappertsbusch (Photo: Fayer / EMI Archive Trust)
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