Posts tagged as "heinz-holliger"

London Sinfonietta · David Atherton – Vienna: From Mozart to Schoenberg

December 2, 2024

Vienna, old and new, meet on this journey from Mozart to Schoenberg and then on to Berg, Weill, Gerhard and Ligeti with David Atherton and the London Sinfonietta. Central to this anthology is the pioneering set of music by Schoenberg recorded in 1973–74 critically acclaimed for its ‘big line and attention to detail (Stereo Review) […]

The Peter Maag Edition

January 6, 2021

Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwangler. He made his first Decca recording having lately turned 30, with the Suisse Romande […]

Vivaldi: Wind Concertos

July 11, 2016

A showcase of some of Vivaldi’s most popular concertos for wind instruments. From the many hundreds of concertos he wrote, the selection represented here, features some of his most lyrical and most energetic. Needless to say, the performances are classics of their kind. I Musici’s Vivaldi recordings over several years for Philips, from which these performances […]

The Best of Mozart

May 25, 2016

The essential single-CD-Mozart-companion with some of the most acclaimed performances of highlights from his masterworks, many of which were selected for inclusion in the legendary ‘Complete Mozart Edition’ on Philips Classics.

Schumann: Chamber Music

March 22, 2016

Late in the 1840s, Schumann entered a chamber music phase. It was, it is said, motivated partly by financial reasons – creating a body of chamber works that could be played by talented amateurs in their own homes. Many of the works on this disc date from 1849. Significantly, for collectors, one of these – […]

Mozart: Piano Quartets; Piano Quintet

March 10, 2016

The Piano Quartets are like heavenly twins, alike on the outside but very different in tone. The G minor, like all Mozart’s works in that key, is intense, introspective and even tragic in places. The E flat is extrovert, bracing, brilliant and straightforwardly pleasurable. The present performances feature what, at first glance, is a strange […]