Posts tagged as "london-symphony-orchestra"

Howells & Vaughan Williams: Choral Music

March 12, 2016

Issued following several requests Sir David Willcocks’s complete 1966 LP of Howells’ choral music, originally issued on Argo, makes its first appearance on CD. Howells contributes his own notes (reprinted from the original LP) in which he outlines the relationship between each of the settings and the building for which it was intended. It includes […]

Debussy: Préludes – Books I & II; Fantasie; Messiaen: Piano Works

March 12, 2016

Indian-born, of Jewish-Viennese parents and raised in Paris, virtuoso pianist, Jean-Rodolphe Kars, converted to Catholicism in 1976 and was baptised in 1977. Mysteriously, in 1981, he put an end to his career as a pianist, entering the priesthood in 1986. During the late-1960s and early 70s, Kars made a few recordings for Decca, all of […]

Rachmaninov: Piano Concertos Nos. 2 & 3; Solo Piano Works

March 12, 2016

2014 marked the centenary of the birth of the colossal Cuban-born pianist, Jorge Bolet. Signed to Decca later in life, he made a series of magnificent Liszt recordings, but also recorded music by Chopin, Schumann, Brahms and Rachmaninov. One of Bolet’s own teachers, Josef Hofmann, was the dedicatee of Rachmaninov’s Third Piano Concerto, a work […]

Shield: Rosina

March 12, 2016

Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]

Ballet Music and Entr’actes from French Opera

March 12, 2016

The late 1960s and early 1970s were a fertile period for the Bonynge–Sutherland duo. Whilst fulfilling a fiendish concert schedule, they produced a string of opera sets for Decca with leading artists of the day which have become classics of the catalogue: ‘La fille du regiment’ (1968), ‘Lakmé’, ‘Les Huguenots’, ‘Romantic French Arias’ (all 1969!), […]

Rimsky-Korsakov: Scheherazade, Russian Easter Festival Overture

March 7, 2016

In his most famous orchestral composition, ‘Scheherazade’, Rimsky-Korsakov, like Beethoven in his ‘Pastoral’ Symphony before him, was more interested in evoking feelings and impressions than in spoon-feeding listeners a pre-digested program. So the titles he provided for its four movements were indicative rather than based on particular stories from the ‘Arabian Nights’. Pierre Monteux’s recording, […]

Bach, Gluck, Mozart: Music for Flute & Orchestra

March 7, 2016

All three works on this CD feature the flute and all feature Pierre Monteux collaborating with his son, Claude. Bach composed some music for the recorder but it is outnumbered by his works for transverse flute which he called the ‘traversiere’. In his Orchestral Suite No. 2, Bach gave the ‘traversiere’ a starring role. Although […]

Command Performance

March 7, 2016

‘Queen Victoria loved music for music’s sake and singing appealed especially to her. It was a joy, a necessity to her to hear music every day and to keep in contact with the musicians of her time. Artists met with the most charming and graceful reception and the Queen always entertained herself for a long […]

Brahms: Symphony No. 2; Haydn Variations

March 7, 2016

Monteux recorded Brahms’s Second Symphony several times; in addition to the present recording for Decca with the Vienna Philharmonic, there are versions with the San Francisco Symphony Orchestra and the London Symphony Orchestra. He recorded the ‘Variations on a theme by Haydn’ just once, in 1958 with the London Symphony Orchestra. This reissue continues Eloquence’s survey […]

Beethoven: The Nine Symphonies

March 7, 2016

Monteux’s Beethoven has been described as visionary. Respect for the spirit of the score, directness of expression, exceptionally well-drilled playing and a sense of untainted idealism that lay at the very heart of the composer’s vision – these are the qualities that typify Monteux’s interpretation of Beethoven. Eight of the symphonies were recorded for Decca; […]

Gounod: Faust (highlights)

March 7, 2016

Recorded in 1966 in superb ‘Decca Sound’, these highlights from Gounod’s most widely-performed opera, extract music from the second act onwards. The Soldiers’ Chorus has rarely been done with such swagger, Ghiaurov is a terrifying Mephistopheles and Corelli a passionate Dr. Faust.

Ravel: Orchestral Works

March 5, 2016

Pierre Monteux is the ideal interpreter of Ravel that great teaser and lover of mystification. Born less than a month apart in 1875, the two men were bound to come together in pre-war Paris which was such fertile ground for artistic novelty. The 1914-18 war scattered the main actors of Parisian musical life. Like Ravel, […]