‘Operatic justice’, writes J.B. Steane in his informative and amusing note for this album, ‘is a law unto itself, and the baritone has been prominent among its victims. Unlucky in love, he is seen in the most favourable light as a father-figure and is otherwise all too often the villain of the piece. He may […]

This is a 50-year retrospective (1950–2000) of great Wagner singing on Decca and Deutsche Grammophon featuring twelve extracts from eight operas (including all four operas of the ‘Ring’ cycle) with nine great singers. Wagner’s knowledge of heroes derived from two sources: the myths of ancient Greece and the sagas and poetry of northern Europe. In both […]

The bass voice (basso, encompassing both baritone and bass in our modern terminology) occupies a special place in Bach’s sacred vocal music. As the two great Passion settings testify, it was the solo bass that represented the vox Christi or ‘voice of Christ’, following an established tradition in church music. Matthias Goerne is here at […]