A 2CD set of Overtures from the D’Oyly Carte recordings made over several years by Decca, together with some of Sullivan’s ‘concert overtures’ – Macbeth, Marmion and Di Ballo. Also included is an extremely rare 1969 Decca recording of Sullivan Choruses conducted by James Walker, better known in musical circles as one of Decca’s key recording […]
‘The Gondoliers’ is the sunniest of all the Gilbert and Sullivan comic operas and was one of the most harmonious collaborations between two such temperamentally incompatible yet artistically well-matched men. The morning after the rapturously received opening night in December 1889, Gilbert wrote to Sullivan: ‘I must thank you for the magnificent work you have […]
With its roots in the mid-nineteenth century English opera tradition of Balfe and Wallace, ‘The Yeomen of the Guard’, is an integrated hybrid of operetta and romantic opera that combines the sparkling essence of previous Savoy successes with heightened drama and emotion while its score is also free from the earnestness in which much of […]
This 1957 traversal of ‘The Pirates of Penzance’ marked the start of the D’Oyly Carte Opera Company’s second cycle of the major Savoy Operas for Decca. It followed just eight years after the previous version but the improvements in sound quality – in stereo for the first time and wonderfully vivid – and performance values […]
The D’Oyly Carte Company began its association with Decca after World War II, embarking on a series of recordings in the late 1940s and early 50s of the major Savoy Operas. A subsequent stereo-era cycle, begun in 1957, was followed in turn by a new series of which the present 1974 recording of ‘Iolanthe’ is […]
Bursting onto the scene with a sensational two-year run at the Savoy Theatre (672 performances commencing on 14 March 1885), it was not long before ‘The Mikado’ was playing around the world in myriad different productions and translations – and it continues to be greeted with unparalleled global enthusiasm today. This October 1957 recording of […]
