Camille Saint-Saëns was only 21 years of age when he wrote his Mass Op. 4 but the craftsmanship of both its vocal and instrumental writing, testifies to the accomplishment of an experienced composer at a tender age: as a prodigious student at the Paris Conservatoire he was awarded a first prize in organ at just […]
This highly appealing collection of light-orchestral classics, gathers up eighteen years in the history of one of the world’s most celebrated orchestras during the golden age of the LP. Ever since its foundation in 1883, the Concertgebouw Orchestra of Amsterdam has been blessed with a hall that to all intents and purposes, belongs to them. […]
The Lyric Opera of Chicago was founded as recently as 1954 but within two years it had secured the services of many operatic stars of the day who were doubtless reassured of the quality and warmth of reception at the company by the trailblazing US debut of Maria Callas as Norma in its first season. […]
James McCracken (1926–1988) recorded the arias on the first half of this disc in 1969, four years after the duets he recordeed with his wife, mezzo-soprano Sandra Warfield (1921-2009). Both singers were in their prime leon during those years and in the decade following. These performances of distinction offer some of the sappiest and most […]
‘From Melba to Sutherland: Australian Singers on Record’ is the first-ever comprehensive survey of the recordings of Australia’s greatest singers – in a unique, new, 4CD set from Decca, complete with biographies of each of the 80 artists, rare photographs, all contained within a 68-page booklet. Why has there been such an extraordinary procession of […]
In 1872, when he composed his Cello Concerto No. 1, Camille Saint-Saëns was 37. Although he had already enjoyed a few successes, at that time he was far from being the established and well-respected figure in French music that he later would become. Nearly three decades went by before Saint-Saëns composed his Cello Concerto No. […]
Aromatherapy, the quiet moments of classical music. And in the fourth volume, Music of the Night, there’s the ‘Barcarolle’ from Offenbach’s ‘Tales of Hoffmann’, slow movements from String Serenades by Mozart, Dvorak and Suk and of course, Chopin’s night music, celebrated by his popular D flat major Nocturne, Op. 27 No. 2.
Ballet music was very much part of the great operas, sometimes inserted later for a bit of relief from the drama. Together with popular overtures – Rossini’s ‘Thieving Magpie’, Bizet’s ‘Carmen’ – this is a collection of some of those best-loved instrumental moments, some of which have even eclipsed the whole opera in popularity.
Issued in the US under the title ‘Witches’ Brew’, Alexander Gibson and the New Symphony Orchestra of London recorded this album in 1959 and the performances remain today as characterful and incisive as they were then. While pieces from this recording have previously appeared on Decca, this is its first complete release on the label. […]
In 1979, the much-loved British cellist Jacqueline du Pre, then beset with multiple sclerosis (she was diagnosed in 1973), stepped into the recording studio to make what was to be her last recording – not as cellist but as an engaging narrator in ‘Peter and the Wolf’. Her husband, Daniel Barenboim, conducted a spacious and […]
This ‘Best Of’ features complete works and in some of their most energetic performances. Mehta & Co raise the roof with their ‘Organ Symphony’ and Dutoit & Co have the best fun in ‘Carnival’. The recording is rounded off with two of the most popular pieces for violin and orchestra inimitably performed by Kyung Wha […]
Belgian violinist, Arthur Grumiaux, brings his sublime artistry to four French compositions from the nineteenth century, some inspired by aspects of Spain, including Lalo’s five-movement ‘Symphonie espagnole’ and Ravel’s spicy ‘Tzigane’.
