Collected for the first time – Erich Kleiber’s rare recordings with the Staatskapelle Berlin and the Berliner Philharmoniker made for Polydor/Grammophon and newly remastered for this release. Erich Kleiber’s appointment to the musical directorship of the Staatsoper Berlin in 1923 proved to be the making of his career. Hired on the strength of a single […]
Eugen Jochum’s complete recordings of choral / sacred music for Philips collected together for the first time. Includes the rare Rudolf Mengelberg Magnificat. Born into a Catholic family of Bavarian musicians, Eugen Jochum was playing the organ and conducting his father’s choir as a child. Late in life he became renowned as a Bruckner specialist, […]
Newly compiled for the first time, the Decca career of a pre-eminent Mozart conductor, complemented by his recordings for Deutsche Grammophon and Westminster. Peter Maag began his career as a pianist, but turned to conducting with the encouragement of Wilhelm Furtwangler. He made his first Decca recording having lately turned 30, with the Suisse Romande […]
A master Beethoven conductor in his prime – a 12-CD set presenting the ‘London’ Beethoven recordings of Sir Colin Davis, including the Symphonies, a selection of Overtures, the five Piano Concertos (Stephen Kovacevich), Violin Concerto (Arthur Grumiaux) and the two Masses. These broadly-sung and spacious performances, unexaggerated yet alive, are collected together for the first […]
A tribute to the late Ida Haendel, comprising her complete Decca Recordings (1940–1997), newly remastered, as well as her performances at the 1982 Huberman Festival. Lavishly illustrated, Original Jackets, Limited Edition. On her death in July 2020, obituaries worldwide paid glowing tributes to the effervescence of the violinist Ida Haendel, in both her playing and […]
A newly remastered treasury of Baroque ensemble music from Gabrieli to Haydn, including several recordings receiving their first international CD release. The Stuttgart Chamber Orchestra was founded by Karl Münchinger in 1946, and it was only after six months of intensive rehearsals that the 31-year-old conductor allowed it to make its debut. The orchestra gave […]
The early recordings of a keyboard lioness, long unavailable and new to CD. Not generally given to extravagant effusions, William Glock (Controller of Radio 3 and the BBC Proms in the 1970s) had no doubt: ‘There is no one who plays the piano better in the world than she does. There is no one with […]
Decca studio recordings made between 1947 and 1949 with the London Philharmonic Orchestra, newly compiled and remastered by Mark Obert-Thorn and including material new to CD. Decca first presented its ‘ffrr’ technology – full frequency range recording – in 1944, originally developed by the company’s engineers as a means of detecting and identifying German submarines […]
A cherishable Mozart soprano of the 1950s and 60s, celebrated with the complete reissue of a Decca recital album, newly remastered. The quality that defined Graziella Sciutti as a singer was lightness – of voice, of bearing and presence on stage. Her vivacious intelligence was no less suited to the Rossini, Bellini and Donizetti roles […]
A newly remastered, richly documented set celebrating the art of a Spanish Beethoven specialist recorded at the peak of his powers in the late 1950s. Born in Zaragoza in 1905, Eduardo del Pueyo left Spain in 1920 to enter the Paris Conservatoire but rejected the teaching of Marguerite Long outright. In thrall to Beethoven’s genius […]
The pre-eminent maestro of our day, caught in little-known studio recordings from the very beginning of his career, including first releases on CD of Beethoven and Mendelssohn recordings. In an original and valuable documentary essay which serves as the booklet note, Niek Nelissen outlines the rapid and unlikely genesis of Haitink’s career, from being rejected […]
A first CD release on Deutsche Grammophon of four concertos from a master interpreter of Mozart. Describing his experience as a youth in Hungary hearing Bruno Walter play and conduct a Mozart concerto, the Hungarian pianist, Andor Foldes, stated that all in attendance ‘were happy, so obviously happy, in the service of a higher power […]
