Given Russia’s richness in superstar pianists, it is not surprising that Russian composers have composed extensively for the piano. Some of the composers represented in this collection were impressive pianists in their own right and they composed music designed to display their own technique and artistry. Others were more modestly gifted as performers but still […]

A favourite ballet all round the year, but a perennial at Christmas-time, Tchaikovsky’s evergreen Nutcracker has never perhaps received as luxurious a recorded performance as that of Charles Dutoit and the Orchestre symphonique de Montréal. The coupling – Aurora’s Dream – is a suite of dances, mostly from the last act of The Sleeping Beauty, […]

Arthur Fiedler took great pride in bringing classical music to the world at large. While Leonard Bernstein was busy with his Young People’s Concerts with the New York Philharmonic, Fiedler and his Boston Pops Orchestra (most of the members drawn from the Boston Symphony) gave concerts of popular classics that became a fixture on America’s […]

Tchaikovsky’s First Quartet, Borodin’s Second and Shostakovich’s Eighth are three of the finest quartets in the Russian repertory. They reveal that Russian composers were hardly less at home in the relatively private medium of the string quartet than when writing for the more spectacular full symphony orchestra. Both the Tchaikovsky and the Borodin have received […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Each of the works on this disc is associated with a notable cellist who made a career in Russia: the ‘Rococo Variations’ with the German player Wilhelm Fitzenhagen (1843–90), the ‘Andante cantabile’ with Anatoly Brandukov (1859–1930), the ‘Chant du Ménestrel’ with the Polish player Alexander Wierzbilowicz (1849–1911) and the Shostakovich Concerto with Mstislav Rostropovich (1927–2007) […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Two ‘Phase 4’ recordings reappear in their entirety on this double-CD of violin bon-bons. Josef Sakonov’s is of virtuoso violin pieces (including Sarasate’s ‘Zigeunerweisen’) and sentimental miniatures by Godard, Tchaikovsky, Ponce and others. This is the first international release of the complete original LP on CD. Erich Gruenberg’s recording centres around Fritz Kreisler – as […]

In addition to recording the six Tchaikovsky symphonies for Decca with the Vienna Philharmonic, Lorin Maazel also recorded the ‘Manfred’ – a recording often singled out as one of the best made of this symphony, as well as three of the tone poems based on literary legends, two Shakespearian (Hamlet, Romeo and Juliet) and one […]

For thirty years, from 1960 to 1990, Nicolai Ghiaurov was an indispensable figure on the international operatic scene. His voluminous base, incisive delivery and imposing presence meant that he was in demand in every centre of opera. His range of roles stretched from Mozart and Rossini through to Verdi and Puccini and many parts in […]

Between January and December 1951 Dutch conductor Paul van Kempen recorded a series of major Tchaikovsky works with the Concertgebouw Orchestra. The performances are at once fiery and incandescent – a kind of meaningful sound and fury – and have long been out of the catalogue. But even when they were issued they divided critical […]

Although the orchestra was the most natural vehicle for Tchaikovsky’s colourful and emotionally highly-charged music, in his string quartets (all dating from the 1870s) he showed a fine understanding of the medium and adopted a more purely musical train of thought – deriving in part from his deep fondness for the classical world of Mozart […]