Karl Böhm and Mozart’s ‘Magic Flute’ were synonymous in the world of opera and this is the first of two studio recordings he made of the work together with soloists who were star performers at the Vienna State Opera at the time. All the favourite arias, duets and choruses are included.
Taken from Anda’s much-vaunted complete recordings of these concertos, Nos. 22 & 23 are here presented in performances that have held their sway for limpidness, clarity and unforced beauty.
Taken from Anda’s much-vaunted complete recordings of these concertos, Nos. 20 & 21 are here presented in performances that have held their sway for limpidness, clarity and unforced beauty.
Taken from Anda’s much-vaunted complete recordings of these concertos, Nos. 26 & 27 are here presented in performances that have held their sway for limpidness, clarity and unforced beauty.
As a leading Mozartean, Karl Böhm turns out exquisite and warm performances of three of Mozart’s most popular serenades – all collected on a single CD. The three distinguished wind soloists in the ‘Posthorn’ add immeasurably to its pleasure.
Among the many recordings of the complete Mozart Violin Concertos, this one, with the late Iona Brown directing the Academy of St. Martin in the Fields from the violin, has lain dormant for far too long.
Among the many recordings of the complete Mozart Violin Concertos, this one, with the late Iona Brown directing the Academy of St. Martin in the Fields from the violin, has lain dormant for far too long. Gramophone magazine welcomed it with the words: ‘a series which is outstanding for its freshness and spontaneity in a […]
These peerless recordings of Oboe Concertos are despatched with beautiful clarity by Ernest Rombout both playing the oboe and directing the Concertgebouw Chamber Orchestra.
This collection brings together a miscellany of orchestral works. In addition to the symphony, there’s Mozart’s most popular Serenade – ‘Eine kleine Nachtmusik’ – in a gloriously cushioned performance, plus five overtures. Four of these are lifted from the double-LP set ‘Mozart Opera Festival’ while that for ‘Cosi’ comes from the complete opera set.
In 1971, Istvan Kertesz went into the studio with an array of opera singers with whom he enjoyed performing to make a recording of arias, duets and ensembles from Mozart’s most popular operas. The results, in terms of characterisation and energy, are in a class of their own and what’s more, the stellar singers blend […]
Elegantly-turned performances of these symphonies with Kertesz revelling in the romantic ethos to which these works point. The recordings are rich, warm and beautifully balanced.
Robust and red-blooded performances of the later symphonies here, pointing unashamedly to the Romantic era. The opening of No. 39, especially, has few rivals in terms of intensity and the way Kertesz balances light and shade.
