BROWSE
FORTHCOMING RELEASES


‘A triumph of engineering and conducting. In no other version will be the cimbalom sound as clear.’ Gramophone, January 1957 on Eduard van Beinum’s Philips recording of Kodály’s Hary János

‘Of all the fine recordings I Musici has given us, this is surely one of the most joyous – an unabashed romp in the sun from start to finish. [Mendelssohn’s] Octet is soaring, free and wonderfully flexible in dynamics.’ High Fidelity,...

Elena Souliotis, Marilyn Horne and Nicolai Ghiaurov are the stars of Silvio Varviso’s thrilling Decca recording of Donizetti’s Anna Bolena

‘It is a pleasure to hear again that eager tone [of Di Stefano] … Serafin directs this often lovely and individual score with all his familiar skill.’ Opera, May 1973 on Decca’s recording of scenes Boito’s Mefistofele (SET 558)

‘She is equally at home in the fiendish Cenerentola finale (the best I’ve ever heard) and in the long sweeping line of ‘Fac ut portem’… Decca’s stereo sound is bright and full.’ High Fidelity, April 1960 on Teresa Berganza’s...

‘In Berganza’s work there are no stylistic mannerisms. She tears into the music like a violinist launching a cadenza, and her extraordinary gifts make it all the more natural sounding, giving her temperament its extroverted way.’ High...