Stravinsky began work on ‘Petrushka’in the summer of 1910, shortly after the successful première of his first ballet, ‘The Firebird’. Like ‘The Firebird’, and ‘The Rite of Spring’ which came later, ‘Petrushka’ was written for Sergei Diaghilev’s Ballets Russes. The choreographer was Mikhail Fokine and the title role was danced by the mercurial, Vaslav Nijinsky. Nijinsky […]

Salvatore Accardo, born in Turin in 1941, brings an Italianate warmth and intensity to the music he plays – not just to fellow countrymen such as Vivaldi, Tartini and Paganini but also to Austrian and German composers. By the age of thirteen, he had performed Paganini’s Caprices in recital and he was an international competition […]

As a young man, Sibelius dreamed – not just figuratively but literally – of becoming an internationally acclaimed violin virtuoso. Sibelius’ best mature compositions, however, are free of mere showmanship and his Violin Concerto might be the composer’s attempt to reconcile the world of the flashy virtuoso with that of the brooding, Nordic ascetic. Whether […]

It is common to refer to ‘the’ Mendelssohn Violin Concerto – the one in E minor, Op. 64 – but earlier in his career, Mendelssohn composed another which was posthumously published. After falling into complete obscurity for a century, this score eventually found its way into the hands of Yehudi Menuhin who published the first […]

Although noted for his fearless and thrilling performances of music by Paganini for Deutsche Grammophon, Salvatore Accardo also recorded extensitvely for Philips in the 1970s and 80s. His repertoire ranged from Baroque music through to 19th and 20th century concertos, including the complete music for violin and orchestra by Bruch and concertos by Mendelssohn and Sibelius. Here, […]

Georg Solti studied piano with Bartók and although they never developed a close personal relationship, Solti was always in awe of the composer’s dedication and intensity. Bartók’s music featured regularly in Solti’s concert programs and he recorded the ‘Music for Strings, Percussion & Celesta’ and the ‘Dance Suite’ for Decca. This 1952 recording of the ‘Dance Suite’ with […]

Finzi – more master of the small-scale than the large-scale – had a fine ear for poetry and a great sensitivity in his verse settings. In 1978 and 1979, Richard Hickox made two LPs for Argo of (mainly) choral music by Gerald Finzi. Never issued in their entirety, they appear here complete on a 2CD […]

Georg Solti’s first recordings were as a pianist – those with the great German violinist, Georg Kulenkampff, here collected in their entirety. The two artists recorded Brahms’s G major sonata in February 1947 and Beethoven’s ’Kreutzer’ Sonata in June 1947. They completed the Brahms sonatas in July 1948. Sadly, this would be their only collaboration. Kulenkampff died […]

Zubin Mehta was one of Decca’s stars in the 1960s and 1970s, known more for his recordings of 19th and 20th-century repertoire than of the 18th. Yet, he has long had an abiding love for Mozart and conducts his symphonic and operatic music on a regular basis. Issued to coincide with his 80th birthday year, this 2CD […]

In the 1950s and much of the 60s, the great bass roles in the Italian repertoire and the title part in ‘Don Giovanni’, were synonymous with the name of Cesare Siepi. Gifted with a commanding presence on stage and a firm, sonorous, pliant ‘basso cantante ‘– a true successor to the mantle of Pinza and Pasero, […]

Few composers have had their music rearranged with such variety and a high degree of success as Johann Sebastian Bach. Mozart, Elgar and Webern, Mendelsohn, Brahms and Vaughan Williams and countless others, not to mention jazz musicians such as Jacques Loussier, Dave Brubeck, the Swingle Singers and even the rock band, Procul Harum, all rearranged […]

Georg Solti recorded the Beethoven Fourth three times – twice with the Chicago Symphony Orchestra (1974, 1987) and in 1950 with the London Philharmonic. The LPO recording was among Solti’s earliest Decca recording sessions and was issued, first on 78rpm and immediately after on LP using Decca’s then revolutionary FFRR technology. Fêted by the Victor […]