If you think you know these pieces, then listen again! Stokowski, the magician, sprinkles star-dust over the ‘Nutcracker’ and gives the orchestra a jolly old workout in a couple of places. The ‘Serenade’ has been considered one of the best ever recorded and the ‘Capriccio Italien’ is brazenly sunlit. The recordings, originally issued on Philips’ […]
Charles Mackerras’ grand readings of the Elgar symphonies, magnificently recorded, make a welcome return to the catalogue.
Angela Hewitt – a familiar visitor to Australia and a highly represented recording artist (she has recorded the complete Bach keyboard works for Hyperion) – made this, an early recording, for Deutsche Grammophon upon winning the 1985 Toronto International Bach Piano Competition. They are natural, unforced and beautifully-turned performances of some of Bach’s most popular […]
Following a litany of requests, Dorati’s supreme recording of Grofé’s Grand Canyon Suite is reissued on Eloquence together with the original coupling of Robert Russell Bennett’s swaggering and masterly orchestral synthesis from ‘Porgy and Bess’. As a bonus, Howard Hanson’s bright Mercury recording of Grofé’s ‘Mississippi Suite’ fills out this reissue.
Reissued to mark Colin Davis’s 80th birthday, this sublime Philips recording of ‘Dido and Aeneas’ makes a welcome return to the catalogue. The honeyed sound of its protagonists – Josephine Veasey (whom Colin Davis also chose as the Dido for his recording of Berlioz’s ‘Les Troyens’) and John Shirley-Quirk – is offset by a chaste-sounding Helen […]
Charles Mackerras’s warm and voluble Elgar recordings bring one of the most stirring ‘Enigmas’ on record, a reflective yet resolute Cello Concerto and a disc of pieces of music inspired by childhood. A very young Bryn Terfel is a highlight on the ‘Starlight Express’ songs.
As a follow-up to the best selling Deutsche Grammophon disc of Gregorian Chant (DG Eloquence 457 2932), this reissue returns a sublime Philips recording of Byzantine Chant to the catalogue.
Britten’s stately and clear-sighted readings of Bach’s Brandenburg Concertos begin a program that continues with a group of rarities. Much requested and finally available on CD, is the complete 1953 Opening Concert of the Aldeburgh Festival in which Britten and Imogen Holst shared the conducting honours. In addition to the anthems (in which the soloists […]
One of Joan Sutherland’s last records was a disc of trios for soprano, horn and piano. All the music is virtually unknown (and texts/English translations are included), all of it charming and lovingly performed by the trio of Australians.
Kertész’ orchestral Mozart has been well documented on Eloquence with many releases appearing on CD for the first time. Now, restored to the catalogue, is his dramatic, muscular reading of the ‘Requiem’. Stretching to 79 minutes, the disc is filled out with selections from the composer’s Masonic Music, with the ‘Maurerische Trauermusik’ bearing an uncanny resemblance […]
Continuing its exploration of Britten rarities,this Decca Eloquence release features Peter Pears as both tenor as well as director (of the Wilbye Consort) and the much-loved harpist Osian Ellis. While the Pears/Britten recording of Britten’s folk song arrangements is well known, the recording with Pears and Ellis is a decided rarity. Using this as a […]
Colin Davis recorded Handel’s ‘Messiah’ twice for Philips – in the 1960s with an English cast and then in the 1980s with British soprano and tenor soloists, a German alto and an American bass, not to mention a German orchestra and chorus. It’s a warm and voluble reading and was for a short while available […]
