As a companion to the 2CD set of ‘Paris’ Symphonies, this CD presents the rest of Ansermet’s Haydn recordings – two symphonies (recorded in 1965), the Trumpet Concerto (dating from 1957) and as a pendant, the Hummel Trumpet Concerto (recorded in 1968). The readings are certainly on a larger scale than that which we expect […]

In 1960, the Stuttgart-born conductor Karl Münchinger (1915-1990), made a Decca recording of Pachelbel’s ‘Canon and Gigue’ that assured the piece its immortality in years to come. Münchinger recorded extensively for Decca with his Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra). Moderate-size forces, rhythmic sprightliness and judicious ornamentation were the hallmarks of his recordings of 17th and 18th-century […]

One of the most entertaining composer autobiographies is Miklós Rózsa’s Double Life, first published in 1982 – the same year that he scored his last film (the Steve Martin vehicle Dead Men Don’t Wear Plaid). The book’s title is an allusion to Rózsa’s twofold career as a composer of music for the concert hall and for […]

Georg Solti studied piano with Bartók and although they never developed a close personal relationship, Solti was always in awe of the composer’s dedication and intensity. In 1937, he was also page-turner for the first performance of the Sonata for Two Pianos & Percussion given by the composer and his wife, Ditta Bartók-Pasztory. Bartók’s music […]

Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth centuries. With a few exceptions, such as Lehár’s ‘Merry Widow’, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed but their ‘hits’ remain evergreen. This reissue includes the […]

For Claude Debussy, the imaginative life was real life. A musical pantheist and revolutionary, he sensed the very heart of the centre of natural phenomena, their ‘inscape’ or essence; and seeking, as he put it, to ‘express the inexpressible’, he longed to liberate music ‘from the barren traditions that stifle it’. Such fantasy and freedom […]

During the war, Falla wrote a pantomime ballet titled ‘El Corregidor y la Molinera’ (‘The Magistrate and the Miller’s Wife’) based on a novella by Pedro Antonio de Alarcón. Sergei Diaghilev, founder of the Ballets Russes, was at the 1917 premiere. Liking what he saw, Diaghilev imagined that the ballet, with modifications, would be perfect […]

The Romanian soprano, Virginia Zeani made only two studio recordings with a major label: these recordings for Decca of coloratura arias conducted by Gianandrea Gavazzeni, and Puccini arias conducted by Franco Patanè. Generally, she favoured the spontaneity of live recordings. She did not have an agent and was not an active self-promoter which may account […]

‘Die Schöpfung’ (The Creation) is one of the great choral masterpieces that Haydn composed after finishing his 104th symphony in 1795. It is a work championed by Igor Markevitch who made this critically-acclaimed recording of it with a compelling team of soloists, including the radiant Irmgard Seefried.

A timely revival of marvellous music by a late 16th-century English composer too often neglected, this collection of eighteen dances for wind and string ensembles comes from from a rich collection of instrumental pieces published in 1599. The reissue – making its first international appearance on CD – contains the fascinating original L’Oiseau-Lyre booklet notes […]

With a career as Attorney in the Exchequer in the service of Sir Henry Fanshawe, John Ward’s profession was only incidentally (or at least not primarily) that of a musician. From all accounts Fanshawe himself had musical enthusiasms and his household apparently included ‘many gentlemen that were perfectly well qualified both in that [music] and […]

One of Couperin’s most important, varied and profound compositions, ‘Apothéose de Lully’ is cast in a programmatic form. Each movement tells a section of the story of the acceptance of Lully into Parnassus, his meeting there with Corelli (the founding fathers of the rival French and Italian styles) and Apollo’s persuading of them to bring […]