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Bruckner: Symphony No. 8

April 28, 2016

As with his Seventh symphony, Bruckner began his Eighth without a commission and without any specific promise that it would be performed. Nowadays, it’s one of his most often performed symphonies. It also happens to be his longest symphony – one, with its sheer breath of scope, asks for the listener to adjust his or […]

Linconshire Posy – Works for Wind Ensemble

April 28, 2016

Frederick Fennell and the Eastman Wind Ensemble were one of the pioneering ensembles, inextricably associated with Mercury Living Presence and boasting some of the finest wind players in the United States. This rare recording which includes the much-requested ‘Lincolnshire Posy’, features seminal 20th-century music for this ensemble, not easily found elsewhere.

Tchaikovsky: Swan Lake; Rococo Variations; Symphony No. 6 ‘Pathétique’

April 28, 2016

The three 2CD Tchaikovsky/Ansermet sets represent his complete Tchaikovsky recordings for Decca.Ansermet’s recording of ‘The Nutcracker’ is in a league of its own, and many will find fascinating his own sequencing of numbers from ‘Swan Lake’ and ‘The Sleeping Beauty’. Refined, yet passionate, many of the pieces on these recordings make their first international appearance […]

Tchaikovsky: The Nutcracker; Suite No. 3; Suite No. 4 ‘Mozartiana’

April 28, 2016

The three 2-CD Tchaikovsky/Ansermet sets, The Sleeping Beauty, The Nutcracker and Swan Lake, represent his complete Tchaikovsky recordings for Decca.  Ansermet’s recording of The Nutcracker is in a league of its own and many will find fascinating his own sequencing of numbers from Swan Lake and The Sleeping Beauty. Refined, yet passionate, many of the […]

Tchaikovsky: The Sleeping Beauty

April 28, 2016

The three 2CD Tchaikovsky/Ansermet sets, The Sleeping Beauty, The Nutcracker and Swan Lake, represent his complete Tchaikovsky recordings for Decca.  Ansermet’s recording of The Nutcracker is in a league of its own and many will find fascinating his own sequencing of numbers from Swan Lake and The Sleeping Beauty. Refined, yet passionate, many of the […]

Delibes: Coppélia; Sylvia: Suite. Ravel: Daphnis et Chloé: Suite No 2

April 28, 2016

Making its first international appearance on CD, is Ansermet’s complete recording of a favourite ballet score – ‘Coppélia’ – its toy-box effects deliciously captured by Ansermet and the Suisse Romande. Ansermet only recorded selections from ‘Sylvia’ and they appear here, together with the rare 1960 recording of the second ‘Daphnis et Chloé’ suite which, for sheer […]

Haydn: Symphonies Nos. 22 & 90; Trumpet Concerto. Hummel: Trumpet Concerto

April 28, 2016

As a companion to the 2CD set of ‘Paris’ Symphonies, this CD presents the rest of Ansermet’s Haydn recordings – two symphonies (recorded in 1965), the Trumpet Concerto (dating from 1957) and as a pendant, the Hummel Trumpet Concerto (recorded in 1968). The readings are certainly on a larger scale than that which we expect […]

Dvorak & Suk: Serenades for Strings; Grieg: Holberg Suite; Wolf: Italian Serenade

April 28, 2016

In 1960, the Stuttgart-born conductor Karl Münchinger (1915-1990), made a Decca recording of Pachelbel’s ‘Canon and Gigue’ that assured the piece its immortality in years to come. Münchinger recorded extensively for Decca with his Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra). Moderate-size forces, rhythmic sprightliness and judicious ornamentation were the hallmarks of his recordings of 17th and 18th-century […]

Rózsa: Ben Hur; Quo Vadis; Julius Caesar

April 28, 2016

One of the most entertaining composer autobiographies is Miklós Rózsa’s Double Life, first published in 1982 – the same year that he scored his last film (the Steve Martin vehicle Dead Men Don’t Wear Plaid). The book’s title is an allusion to Rózsa’s twofold career as a composer of music for the concert hall and for […]

Bartók: Orchestral Works

April 22, 2016

Georg Solti studied piano with Bartók and although they never developed a close personal relationship, Solti was always in awe of the composer’s dedication and intensity. In 1937, he was also page-turner for the first performance of the Sonata for Two Pianos & Percussion given by the composer and his wife, Ditta Bartók-Pasztory. Bartók’s music […]