Light opera and musical theatre rub shoulders in this delightful compendium of favourites from the late-nineteenth and early-twentieth centuries. With a few exceptions, such as Lehár’s ‘Merry Widow’, many of the operettas from which these songs and arias are taken are largely forgotten and seldom performed but their ‘hits’ remain evergreen. This reissue includes the […]

For Claude Debussy, the imaginative life was real life. A musical pantheist and revolutionary, he sensed the very heart of the centre of natural phenomena, their ‘inscape’ or essence; and seeking, as he put it, to ‘express the inexpressible’, he longed to liberate music ‘from the barren traditions that stifle it’. Such fantasy and freedom […]

During the war, Falla wrote a pantomime ballet titled ‘El Corregidor y la Molinera’ (‘The Magistrate and the Miller’s Wife’) based on a novella by Pedro Antonio de Alarcón. Sergei Diaghilev, founder of the Ballets Russes, was at the 1917 premiere. Liking what he saw, Diaghilev imagined that the ballet, with modifications, would be perfect […]

The Romanian soprano, Virginia Zeani made only two studio recordings with a major label: these recordings for Decca of coloratura arias conducted by Gianandrea Gavazzeni, and Puccini arias conducted by Franco Patanè. Generally, she favoured the spontaneity of live recordings. She did not have an agent and was not an active self-promoter which may account […]

‘Die Schöpfung’ (The Creation) is one of the great choral masterpieces that Haydn composed after finishing his 104th symphony in 1795. It is a work championed by Igor Markevitch who made this critically-acclaimed recording of it with a compelling team of soloists, including the radiant Irmgard Seefried.

A timely revival of marvellous music by a late 16th-century English composer too often neglected, this collection of eighteen dances for wind and string ensembles comes from from a rich collection of instrumental pieces published in 1599. The reissue – making its first international appearance on CD – contains the fascinating original L’Oiseau-Lyre booklet notes […]

With a career as Attorney in the Exchequer in the service of Sir Henry Fanshawe, John Ward’s profession was only incidentally (or at least not primarily) that of a musician. From all accounts Fanshawe himself had musical enthusiasms and his household apparently included ‘many gentlemen that were perfectly well qualified both in that [music] and […]

One of Couperin’s most important, varied and profound compositions, ‘Apothéose de Lully’ is cast in a programmatic form. Each movement tells a section of the story of the acceptance of Lully into Parnassus, his meeting there with Corelli (the founding fathers of the rival French and Italian styles) and Apollo’s persuading of them to bring […]

Among the music Ernest Ansermet championed was that of some of his Swiss compatriots – Honegger and Martin among them. So it is appropriate that a whole CD should be devoted to Swiss composers including an LP of music by Geiser and Oboussier that has never before appeared on CD. Zara Neslova is cello soloist […]

To mark the reissue of this important Consort of Musicke recording, Anthony Rooley writes: ‘Of all the English Lute-Song Books of the Elizabethan/Jacobean Era none has been more misunderstood, nor wilfully maligned as John Maynard’s unique creation. Highly individual, full of rare humour, amazing invention – and at times quite exquisite poignancy – it deserves […]

A generous disc (nearly 80 minutes) of some of Raymond Leppard’s pioneering L’Oiseau-Lyre recordings of French Baroque music with the English Chamber Orchestra. The brilliant realisations of Rameau’s ‘Temple de la Gloire’ suites have seldom been more strikingly realised. ‘Le Temple de la Gloire’ was a theatrical entertainment to a text by Voltaire, written to […]

A glorious collection of orchestral pieces from operas and ballet music by Lully. At the same time easy and luscious on the ear, these instrumental movements or ‘symphonies’ from his ballets and operas were made into suites for performance away from the theatre, a fashion which eventually led to the overture-suites of Bach, Handel and […]