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Danyel: Lute Songs (1606)

April 20, 2016

Anthony Rooley writes: ‘Even in 1926 when Peter Warlock published his brief essay on the English Lute Songs, John Danyel was singled out as being perhaps the finest lute-song composer (John Dowland not excepted) by perceptive Warlock. Nobody believed him then and not much has changed now – but I agree with Warlock. John Danyel […]

Verdi: Ballet Music; Leoni: The Prayer and the Sword

April 20, 2016

What the French expected from opera changed in 1831 with the success of Meyerbeer’s ‘Robert le Diable’. Lengthy works with abundant scenic spectacle became practically obligatory and at least one ballet had to be included, in order to give the gentlemen of the influential Jockey Club an opportunity to see their favourites from the ‘corps […]

Gay: The Beggar’s Opera

April 20, 2016

In 1981, Richard Bonynge, together with an illustrious cast of singers (Joan Sutherland, Kiri Te Kanawa, et. al.) and actors (Angela Lansbury, Warren Mitchell, Michael Hordern, et. al.) went into Kingsway Hall for a recording of a new edition (by Richard Bonynge and Douglas Gamley) of John Gay’s ‘The Beggar’s Opera’. Written in 1728, it […]

Brahms & Mozart: Clarinet Quintets; Baermann: Adagio

April 20, 2016

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Both Clarinet Quintets on this disc are late works of the respective composers and both were inspired by […]

Salute to Percy Grainger

April 20, 2016

A composer with an extraordinary ear for sonority, original in his outlook, sometimes misunderstood, now revered, Percy Grainger is one of Australia’s most unique sons, and, in the words of Sir Peter Pears, one of its “most independent and single-minded spirits”. Many of these recordings, of vocal and chamber orchestra pieces, were made by Decca […]

Mozart: Five Divertimenti

April 20, 2016

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Those who campaign against background music in shops, restaurants, hotel lobbies and lifts do not have history on […]

Mendelsshon: Octet; Schubert: Trout Quintet; Octet

April 20, 2016

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. This collection brings together three of the most enduring chamber music masterpieces ever written. Mendelssohn’s Octet remains an […]

Spohr: Piano Quintet; Double Quartet; Octet; Nonet

April 20, 2016

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Eclipsed now by the many composers of the first half of the 19th century who surrounded him, in […]

20th Century Chamber Music

April 20, 2016

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Perhaps the ensemble projected a rather cosy, cuddly image on its tours abroad. More often than not, the […]

Stravinsky: Soldiers Tale; Berg: Adagio; Schoenberg: Chamber Symphony No. 1

April 20, 2016

Stravinsky’s tongue-in-cheek morality masterpiece, The Soldier’s Tale, is one of his cleverest and most enduring works, here receiving its first outing on CD, following several requests. It boasts a stellar cast, not only of musicians, drawn from the Boston Symphony and soloists in their own right, but also of the narrators/actors – Sir John Gielgud, […]

Walton: Façade; Bax: Coronation March; Bliss: Welcome the Queen

April 20, 2016

Returning Decca’s pioneering recording of Façade to the catalogue, this generous collection of English music includes further gems from the Decca catalogue of orchestral pieces by Walton and two marches, by Bax and Bliss, respectively, to mark royal occasions in connection with Queen Elizabeth II. The liner notes include one written by Dame Edith Sitwell […]