Mozart dubbed him ‘mere mechanicus’ and with that musical curse, Clementi was, for long, doomed to piano student exercises and the occasional sonata movement for examinations. Yet, he had a remarkable career in London where he settled for most of his life and was fiscally in far better shape than Mozart with whom he once […]

Confidence, energy, brashness, terseness and humour: these five words succinctly characterize Beethoven’s early piano sonatas. However, with Op. 10 No. 3’s D minor Largo e mesto, a new quality – soul-bearing depth – comes into play – and settles in for the remainder of Beethoven’s creative life. During the late 1970s, when VladimirAshkenazy’s integral Beethoven […]

‘When he is at his best he plays more beautifully than any of us,’ Alfred Brendel told William Steinberg and described Kempff as ‘an Aeolian harp, ever ready to respond to whatever interesting wind blew his way’. Brendel chose Kempff’s 1953 Decca recording of Schubert’s A minor Sonata, D.845, for inclusion in Philips’ monumental ‘Great […]

As both composer and performing virtuoso, the piano was central to Beethoven’s life. However, his relationship with the instrument turned out to be a love-hate affair and few, if any models satisfied him. He wrote to the piano manufacturer, Johann Streicher that ‘the pianoforte is still the least studied and least developed of all instruments’. […]

Antony Rooley writes: ‘Since 1963 I had been spending many hours in the British Library studying the sixteenth-century English lute manuscripts … what a unique collection! The “Jane Pickering Lute Book”, “The John Sturt Lute Book”, “The Mynshall Lute Book” – all collections of one individual’s personal choice of repertoire, each with unique information on […]

Christmas Eve 1974 was a nightmare for the inhabitants of Darwin (in Australia’s Northern Territory) when it was destroyed by a violent cyclone. A Darwin Appeal Fund was launched and a month later, on 25 January 1975, Richard Bonynge conducted a fund-raising concert at the Royal Opera House, Covent Garden. The idea was that of […]

Anthony Rooley writes: ‘In the mid-1970s this humble lute-player had theatrical pretensions! I realised quite early on in my performing career that audiences generally needed more help to “get inside” the beautiful obscure music I was discovering and if their appetite was to be fostered, a new dimension in the manner of presentation had to […]

This set of three CDs contains the complete ‘Chansonnier Cordiforme’, perhaps the most beautiful of all surviving music manuscripts whose first owner was Jean de Montchenu (d. 1497). It was compiled during the 1470s and contains 43 songs from the preceding 30 years by Dufay, Binchois, Ockeghem, Busnoys and other composers of the time. This […]

Anthony Rooley writes: ‘Even in 1926 when Peter Warlock published his brief essay on the English Lute Songs, John Danyel was singled out as being perhaps the finest lute-song composer (John Dowland not excepted) by perceptive Warlock. Nobody believed him then and not much has changed now – but I agree with Warlock. John Danyel […]

What the French expected from opera changed in 1831 with the success of Meyerbeer’s ‘Robert le Diable’. Lengthy works with abundant scenic spectacle became practically obligatory and at least one ballet had to be included, in order to give the gentlemen of the influential Jockey Club an opportunity to see their favourites from the ‘corps […]

In 1981, Richard Bonynge, together with an illustrious cast of singers (Joan Sutherland, Kiri Te Kanawa, et. al.) and actors (Angela Lansbury, Warren Mitchell, Michael Hordern, et. al.) went into Kingsway Hall for a recording of a new edition (by Richard Bonynge and Douglas Gamley) of John Gay’s ‘The Beggar’s Opera’. Written in 1728, it […]

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Both Clarinet Quintets on this disc are late works of the respective composers and both were inspired by […]