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Kiri Te Kanawa sings Mozart

April 19, 2016

While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess, she made a first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role […]

Peter Pears – The Decca Premieres

April 19, 2016

On 24 June 1936, Peter Pears joined his BBC Singers colleague, contralto Anne Wood, at Decca’s studio in Upper Thames Street in the City of London to make his very first commercial recording, of Peter Warlock’s setting of the Corpus Christi carol for unaccompanied voices. The year marked a turning-point for Pears: he met Benjamin […]

Sylvia Sass – The Decca Recitals

April 19, 2016

Sylvia Sass was born near Budapest, Hungary, on 12 July 1951 to a very musical family. Her mother was a coloratura soprano and her father was a high school music teacher. She made her stage debut at age fourteen in Adam’s operetta Die Nürnberger Puppe and then commenced study at the celebrated Franz Liszt Academy […]

Albeniz: Iberia; Ravel, Chabrier, Bizet: Orchestral Works

April 19, 2016

These unique recordings make their first appearance on CD. Some make their first ever appearance on Decca! Jean Morel (1903–75) counted among his teachers Isidore Philipp, Gabriel Pierné and Reynaldo Hahn. He established a connection with the United States early on, teaching at the American Conservatory in Fontainebleu between 1921 (when he was just eighteen!) […]

Liszt: Tone Poems; Hungarian Rhapsodies

April 19, 2016

Having made revolutionary changes during the 1830s and 40s, in both piano performance and composition, Liszt was hardly less innovative in his relationship with the orchestra. He is generally credited with having created the genre of the symphonic poem, in which a narrative or extra-musical idea is depicted within a structural framework usually associated with […]

Mozart: Clarinet Concerto; Bassoon Concerto; Flute Concerto No. 1

April 19, 2016

No composer wrote better for wind instruments than Wolfgang Amadeus Mozart, and it is our good fortune that most of his output in this sphere has survived to delight us. Many of these recordings feature legendary soloists and conductors with the London Symphony Orchestra. The Belgian player Henri Helaerts (1907–2001) was principal of the Orchestre […]

Elgar: Cockagine; Cello Concerto; Wand of Youth Suites; Sospiri

April 19, 2016

Bringing together Eduard van Beinum’s complete Elgar recordings for Decca, this important historic reissue presents multi-faceted sides of the composer: his sense of national pride in Cockaigne, his fondness of childhood memories in The Wand of Youth, and his profundity in the little Elegy and his masterpiece, the Cello Concerto. The Wand of Youth actually originated […]

Mozart: Piano Concertos Nos. 13 & 20; German Dances

April 19, 2016

Julius Katchen recorded two Mozart piano concertos with Peter Maag and they both appear on this CD, together with the Six German Dances, KV 509 – ‘a magnificent example of the power of a genuinely charismatic conductor’ as Tully Potter notes in his liner notes. Katchen first entered Decca’s London studios in 1947 and was […]

Mozart: Piano Concertos Nos. 14, 17, 25 & 26; Piano Sonatas Nos. 8 & 17

April 19, 2016

Friedrich Gulda has become something of a cult figure in the music world. This 2CD set presents him in Mozart recordings – both concertos and solo works – largely for Decca, with one item, the Piano Concerto No. 17, recorded for Amadeo. Born in Vienna in 1930, Gulda began formal lessons aged seven with Felix […]

Tchaikovsky: Capriccio Italien; Francesca da Rimini; Romeo and Juliet; The Nutcracker

April 19, 2016

Four of Tchaikovsky’s most popular orchestral works make their appearances here in historic Decca and Philips recordings appearing internationally on CD for the first time. Most travellers to Italy content themselves with writing postcards. Tchaikovsky, on the other hand, wrote a popular symphonic work. His Capriccio italien was inspired by impressions made upon the composer […]

Fauré: Requiem; Pelléas et Mélisande; Masques et Bergamasques

April 19, 2016

Contrary to the imaginative view offered by many commentators, Fauré’s Requiem had nothing to do with the death of Fauré’s parents. ‘My Requiem was written for nothing,’ the composer confided to Maurice Emmanuel, ‘it was written, if I may say so, for fun.’ Ernest Ansermet recorded the piece with two stellar artists – Suzanne Danco […]

Stravinsky: L’Oiseau de Feu – Performance & Rehearsal

April 19, 2016

Stravinsky and Ansermet were synonymous. The two met in 1913, their working friendship blossomed, and in 1915, on Stravinsky’s recommendation, Ansermet became Diaghilev’s principal conductor. This meant that Ansermet was in frequent contact with the composer’s ballet scores and also gave the first performances of a number of them. He recorded The Firebird on several […]