Today, Anton Bruckner, the son of a village schoolmaster, is recognised as one of the most important (albeit late-blooming) symphonists of the nineteenth century. During his lifetime, however, he was the subject of incomprehension and ridicule – that is, when critics and musicians paid him and his music any attention at all. Even in modern […]

Dvořák naturally gave a great deal of attention to the genre of the oratorio and it was his work in this area that firmly established his reputation in the English-speaking world. Rossini very much admired Pergolesi’s fine setting of the Stabat Mater but had not felt equal to attempting his own. The decision to try […]

István Kertész made one of the first stereo cycles of Dvorák’s symphonies on Decca with the London Symphony Orchestra. Earlier still, in 1961, he recorded just the Ninth (‘From the New World’), with the Vienna Philharmonic – one of the tautest, most thrilling performances ever committed to disc. It is coupled here with a recording […]

Many of the titles on this set formed couplings to Kertész’s celebrated LSO Dvorak symphony cycle for Decca. Collected here, over two generously-filled CDs, are all of the Overtures and Tone Poems of Dvorak that Kertész recorded. The fantastical, sometimes gruesome fairy tales of Erben exercised a curious fascination over Dvořák and three of his […]

Renowned for the precision of his execution, it was said that Reiner could ‘stand before an orchestra he has never seen before and conduct a new piece at first sight without verbal explanation, by means of manual technique alone’ (he later taught at the Curtis Institute, where he unsuccessful attempted to moderate the young Leonard […]

Zoltán Kodály and Béla Bartók were Hungary’s two most important composers in the 20th century. They were both friends and colleagues, working separately and together to document and preserve folk music from Hungary and its surrounding regions. The music they collected strongly influenced their own compositions. Decca was one of the first major record companies […]

Collected on a single CD are István Kertész’s complete orchestral recordings of Kodály’s music together with the choral song, ‘The Peacock’ which precedes the ‘Peacock Variations’. For thrill, swagger and colour – not to mention Decca’s state-of-the-art sound – these recordings set a benchmark by which all others will be measured. Reviewing the recordings of the […]

István Kertész’s recordings on Decca are legendary and many of them are now on CD on Eloquence – some for the first time. This generous 2CD set offers a unique coupling of two ‘fairy tale’ pieces by Hungarian composers: Kodály’s ‘Hary Janos’ (a ‘singspiel’), a light-hearted tale of the imaginary adventures of the Hungarian general (with […]

Pierre Monteux often bemoaned the fact that he was associated with the French and Russian repertoires, to the exclusion of music from outside of those traditions. He could hardly help it; after all, it was Monteux who conducted the first and famously chaotic performance of Stravinsky’s ‘Le Sacre du printemps‘ in 1913. Nevertheless, he recorded […]

This generous disc brings together all of Pierre Monteux’s Debussy recordings for Decca and Philips. Encompassing some of Debussy’s major orchestral works, these performances have a fluidity and atmosphere about them in recordings that have worn their years lightly. Monteux omits ‘Sirènes’ in his recording of the Nocturnes – a practice not atypical of recordings […]

Ferdinando Paer (1 July 1771 – 3 May 1839) was an Italian composer of Austrian descent known for his operas and oratorios. Using the same subject matter as Beethoven did for his ‘Fidelio’, Paer’s opera is called ‘Leonora’ and received its world premiere recording under Peter Maag for Decca with a star-studded cast that included […]

One of Fricsay’s last recordings, this sublime ‘Figaro’ is once more restored to the catalogue. It boasts a Who’s Who of great Mozarteans from the late-1950s/early 1960s, including Irmgard Seefried, Maria Stader and Hertha Töpper with the magnificent Fischer-Dieskau in incomparable form as the Count Almaviva. The extensive booklet notes include a synopsis, notes on […]