Possibly the most thrilling, sexually-charged ‘Walküre’ ever recorded, this CD features the sappy voices of Gré Brouwenstijn and Jon Vickers as Sieglinde and Siegmund coupled with two of the leading Wagnerians of their day – Nilsson and London – as Brünnhilde and Wotan. Also listen out for the wind machine introduced in the Prelude to Act […]
It is a pity that one of the most acclaimed recordings of ‘Rosenkavalier’ was only recorded as excerpts but at over an hour and including some of the absolute plums of scenes from the opera, it is rightly regarded as a gem among great recordings of Strauss’ music. Included are the Marchallin’s Act I Monologue, the […]
After a spell of recording with Decca, the legendary Wagnerian conductor Hans Knappertsbusch recorded for Westminster, and among his best recordings for this label is this 1961 recording of Fidelio, boasting a cast of great singers at the Austrian and German opera houses, including the much-loved Sena Jurinac.
The reissue of this recording marks a double celebration – the bicentenary of Verdi’s birth and the centenary of Solti’s. Solti’s second recording of Verdi’s Falstaff returns to the catalogue. Recorded ‘live’ at the Philharmonie in Berlin, it boasts a thoroughly imaginative cast and magnificent recorded sound.
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
Five composers, three LPs … an all-Italian, all-rare, 2CD compendium. Fernando Previtali’s orchestral recordings for Decca of music by Respighi, Casella, Ghedini, Petrassi and Casella were recorded in July 1956 and had a relatively short lifespan. Other than Respighi’s ‘Pines of Rome’, the remaining music was then – as it is now – largely unfamiliar […]
Zubin Mehta’s Decca legacy has been mined extensively by Eloquence and the latest release in this on-going exploration brings together all of his Stravinsky recordings for Decca on one CD for the first time. As one might expect, they are technicolour, sharply-etched performances (from Los Angeles) of two of Stravinsky’s greatest ballet scores – ‘Le […]
During the 1950s, 60s and 70s, Decca recorded a number of albums of overtures with some of its key conductors. Many of these were singled out by the press for their terrific sound quality (the fabled ‘Decca Sound’) and for their often adventurous programming. Some of them also included entr’actes and intermezzi. Prized as collectors’ […]
Beethoven broke new ground in exploring the potential of the symphony, both in terms of its subject matter and its qualities as descriptive music. The title of each movement of his sixth symphony, outlines what is being portrayed and in the case of the bird-calls at the end of the second movement, Beethoven made a […]
