Barry Tuckwell and Mozart are synonymous. He recorded the composer’s works several times during his horn-playing career, beginning with the Horn Concertos recorded with Peter Maag. In July 1983, he recorded them again, directing the English Chamber Orchestra from the horn. The sessions extended to include many of Mozart’s chamber works with horn – the […]
‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]
‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]
‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]
‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]
‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist. By 1916, Kempff was […]
Maazel’s colourful recordings of Debussy and Ravel for Decca have earned praise for their clear-sighted brand of Impressionism. To three of Debussy’s major orchestral works – La Mer, Nocturnes and Jeux – he adds the standalone section from Images (Iberia). The 2CD set represents the sum of Maazel’s Debussy and Ravel recordings for Decca.
In addition to recording the six Tchaikovsky symphonies for Decca with the Vienna Philharmonic, Lorin Maazel also recorded the ‘Manfred’ – a recording often singled out as one of the best made of this symphony, as well as three of the tone poems based on literary legends, two Shakespearian (Hamlet, Romeo and Juliet) and one […]
Lorin Maazel’s late-1970s recordings of the L’Arlésienne suites and Jeux d’enfants remain some of the most scintillating and beautifully recorded in the catalogue. They have received limited CD release and are back now, coupled with a rare recording by Sir Alexander Gibson of the Carmen Suite and Weller’s much-requested recording of Dukas’s Sorcerer’s Apprentice, both […]
Shakespeare and Byron meet for a double-CD of Maazel’s recordings of two of Berlioz’s symphonies for Decca, coupled with the Roman Carnival Overture, included on an Overtures disc for Decca. Back on CD after a long absence, the 1972 Vienna Roméo boasts a stellar vocal cast.
Lorin Maazel’s recording of the Coq d’Or Suite is considered one of the glories of the fabled Decca Sound and was first reissued on CD as part of Decca’s ‘Legends’ series. This set marks the first international release on CD of his recording of the composer’s Arabian Nights ‘fantasy’, Scheherazade as well as the Capriccio […]
‘Il prigioniero’ (The Prisoner), an opera in a prologue and one act with both music and libretto written by Luigi Dallapiccola, was first broadcast by the Italian radio station RAI on 1st December 1949. The work is based on the short story ‘La torture par l’espérance’ (“Torture by Hope”) by the French writer Auguste Villiers […]
