This 1957 traversal of ‘The Pirates of Penzance’ marked the start of the D’Oyly Carte Opera Company’s second cycle of the major Savoy Operas for Decca. It followed just eight years after the previous version but the improvements in sound quality – in stereo for the first time and wonderfully vivid – and performance values […]

The violinist who straddled the divide between the old ways and the new, was the Viennese virtuoso, Wolfgang Eduard Schneiderhan. He was born on 28th May 1915 and beginning violin lessons at five, he polished his technique under Sevcík and Winkler. From the 1950s onward, Schneiderhan displayed all the qualities normally associated with German musicians. […]

Recorded in 1966 in superb ‘Decca Sound’, these highlights from Gounod’s most widely-performed opera, extract music from the second act onwards. The Soldiers’ Chorus has rarely been done with such swagger, Ghiaurov is a terrifying Mephistopheles and Corelli a passionate Dr. Faust.

It is difficult to dissociate the pure, warm tones of Renata Tebaldi’s voice from her usual operatic repertoire – the heroines of the Italian lyric stage of the nineteenth and early twentieth centuries which, thanks to her exceptional vocal and dramatic endowment, she interpreted so superbly. That these unforgettable portrayals were not just the product […]

Pierre Monteux is the ideal interpreter of Ravel that great teaser and lover of mystification. Born less than a month apart in 1875, the two men were bound to come together in pre-war Paris which was such fertile ground for artistic novelty. The 1914-18 war scattered the main actors of Parisian musical life. Like Ravel, […]

The name of Pierre Monteux inevitably brings Stravinsky’s ‘Le sacre du printemps’ to mind; he conducted the notorious first performance in Paris in 1913 which degenerated into a brawl broken up by the police. This historic event has slightly overshadowed other Ballets Russes commissions, such as Ravel’s ‘Daphnis et Chloé’ and Debussy’s ‘Jeux’ which were first […]

In the year 2015 we should have been celebrating the seventieth birthdays of two uniquely talented women cellists who were both born in 1945 but instead we have been remembering a more tragic coincidence: in 1973, multiple sclerosis forced the English virtuoso, Jacqueline du Pré, to retire and her German colleague, Anja Thauer, committed suicide. […]

The early years of Henry VIII’s reign were a time of ostentatious pageantry, ceremonial and courtly entertainments of all kinds. Royal entries, tournaments, funerals, executions, banquets, coronations, christenings were all ceremonial occasions in which music had a function. Very little actual ceremonial music has survived; most of it was probably never written down. But many […]

A collection of songs and dances by Dowland, East and Holborne performed by two of the most eminent of British early-music groups in the late-1960s: Musica Reservata and the Purcell Consort of Voices. The performance of contrapuntal vocal music with viols doubling the voices, stems from a long European tradition and in several of the […]

Most parents will assert that siblings do not always play well together but classical music gives many examples to the contrary. Although violinist, Yehudi Menuhin, was the most famous member of his family, he performed and made several recordings with his sisters, Hephzibah and Yaltah both pianists. (Pianist Marcel Ciampi who taught both sisters, remarked […]

While Dohnányi’s musical language was firmly rooted in the nineteenth century, the two chamber works on this reissue – championed by András Schiff and the Takács Quartet, no less – deserve much greater attention than they get. Dohnányi’s Piano Quintet was written when he was seventeen and bears the strong imprint of Brahms, courtesy of […]

These recordings of the voices of Inge Borkh and Ljuba Welitsch are very fine examples of the art of the dramatic soprano from the 1950s and early 1960s. Borkh acquired a considerable reputation as Aida, Tosca, Turandot, and Medea in Cherubini’s opera of the same name, as well as Leonora in Fidelio. On this anthology, […]