Few composers have had their music rearranged with such variety and a high degree of success as Johann Sebastian Bach. Mozart, Elgar and Webern, Mendelsohn, Brahms and Vaughan Williams and countless others, not to mention jazz musicians such as Jacques Loussier, Dave Brubeck, the Swingle Singers and even the rock band, Procul Harum, all rearranged his music. This gem of a disc, originally released on ASV, presents more than a dozen of Bach’s pieces rearranged for the piano, from the familiar (Myra Hess’s arrangement of ‘Jesu, joy of man’s desiring’) to the quirky (Lord Berners’ arrangement of ‘In dulci jubilo’) and from the sonorously imposing (the famous Chaconne from the Second Partita in the Busoni arrangement) to the vertiginous (Busoni again, with ‘Nun freut euch, lieben Christen’). Most of the composer-arrangers on this recording were themselves professional concert pianists and, in most cases, believed that their function was not to assert their own musical personalities on top of, or alongside, Bach’s so much as to try to recreate as well as possible, what Bach might have written had he been alive at the time when the transcriptions were made.
JOHANN SEBASTIAN BACH
transcribed by
FERRUCCIO BUSONI
Chaconne (from Partita No. 2 in D minor for solo violin, BWV 1004)
Chorale Prelude ‘Wachet auf, ruft uris die Stimme’
Chorale Prelude ‘Nun komm der Heiden Heiland’
Chorale Prelude ‘Nun freut euch, lieben Christen’
Chorale Prelude ‘lch ruf zu dir, Herr’
FRANZ LISZT
Prelude and Fugue in A minor, BWV 543
LORD BERNERS
In dulci jubilo
DAME MYRA HESS
Jesu, joy of man’s desiring
WILHELM KEMPFF
Siciliano (from Flute Sonata No. 2 in E flat major, BWV 1031)
CHRISTOPHER LE FLEMING
Sheep may safely graze
SERGEI RACHMANINOV
Suite from Partita No. 3 in E major for solo violin, BWV 1006
FERRUCCIO BUSONI
Toccata and Fugue in D minor, BWV 565
Gordon Fergus-Thompson, piano
Recording Producer: Alexander Waugh
Balance Engineer: Martin Haskell
Recording Location: St. Dunstan’s, Cheam, 1991
‘the simple and relatively literal transcriptions of ‘Jesu joy’ (Cantata No. 147), the flute Siciliano and ‘Sheep may safely graze’ [are] all played with calm grace … and at the other extreme of the art of transcription, Rachmaninov’s very free version of movements from the E major Violin Partita … in which Fergus-Thompson shows delicious delicacy.’ Gramophone, October 1991
***** Amazon.com reviews