Eloquence Classics

Two beloved Romantic orchestral works in stellar performances, return to the catalogue in beautiful transfers. Pierre Monteux (1875-1964), often bemoaned the fact that he was associated with the French and Russian repertoires to the exclusion of music from outside of those traditions. He could hardly help it; after all, it was Monteux who conducted the first and famously chaotic performance of Stravinsky’s Le Sacre du printemps in 1913. Nevertheless, he recorded all of Beethoven’s symphonies (some of them more than once) and all of Brahms’s, with the exception of the Fourth. He made only one recording of Elgar’s Enigma Variations, and one of the Dvořák Seventh. These came late in his career – 1958 and 1959, respectively – and were the only recordings he made of works by their respective composers. Elgar’s work frequently appeared in the conductor’s concert programs during this ‘Indian summer’. In fact, his last American concerts, in December 1963 with the Boston Symphony Orchestra, featured the Enigma Variations, along with works by Vaughan Williams, Beethoven and Sibelius. In his recording of Dvořák’s Seventh, Monteux is clearly responsive to the symphony’s connections with Brahms – a composer for whom he had special affection.