The Lyric Opera of Chicago was founded as recently as 1954 but within two years it had secured the services of many operatic stars of the day who were doubtless reassured of the quality and warmth of reception at the company by the trailblazing US debut of Maria Callas as Norma in its first season. Sir Georg Solti, too, made his operatic debut in the US not with the more storied Metropolitan in New York but in Chicago, conducting ‘Salome’, ‘Die Walküre’ and ‘Don Giovanni’ within a fortnight of each other in October 1956. He then returned in November to lead two performances of ‘La forza del destin’o followed, on the 10th by a Gala Concert which was recorded by Decca and is now reissued here.
The singers were worthy of a gala anywhere in the world. Replacing Jussi Bjorling at short notice, Richard Tucker sang the ‘Andrea Chénier’ duet with Renata Tebaldi. Ettore Bastianini added ‘Nemico della patria’ from the same opera. The evening was dominated by Tebaldi, however, in solo roles that she had made her own on stage (Delilah, Tatyana, ‘Mefistofele’s’ Margherita) and in duet both with Tucker and mezzo-soprano, Giulietta Simionato then in the prime of her career. ‘So it went on and over,’ reported Seymour Raven in the Chicago Tribune, ‘with musical and emotional climaxes topping one another in the best gala concert style.’
This live recording has had a chequered career on disc. It was originally issued in 1958 but contractual issues prevented the inclusion of the ‘Chénier’ duet. The opening ‘Forza del destino’ overture was sacrificed to accommodate the record of the event on a single LP and both items were missing from the concert’s first CD issue in 2009 within a 5CD Decca box dedicated to ‘Great Voices of the 1950s’. They have finally been restored and the complete recording has been newly remastered. For the first time it may be enjoyed in full as a one-off record of, without doubt, some of the greatest voices of that era.
AN EVENING AT THE LYRIC OPERA OF CHICAGO
GIUSEPPE VERDI: La forza del destino: Overture (Sinfonia)*
CAMILLE SAINT-SAËNS: Samson et Dalila: S’apre per te il mio cor
Giulietta Simionato
PYOTR ILYICH TCHAIKOVSKY: Eugene Onegin: Tatyana’s Letter Scene
Renata Tebaldi
PIETRO MASCAGNI
Cavalleria rusticana: Voi lo sapete
Giulietta Simionato
WOLFGANG AMADEUS MOZART: Le nozze di Figaro: Voi che sapete
Giulietta Simionato
UMBERTO GIORDANO: Andrea Chénier: Nemico della patria
Ettore Bastianini
ARRIO BOÏTO: Mefistofele: L’altra note in fondo al mare
Renata Tebaldi
AMILCARE PONCHIELLI: La Gioconda: E’ un anatema … L’amo come il fulgor
Renata Tebaldi & Giulietta Simionato
UMBERTO GIORDANO: Andrea Chénier: Vicino a te
Renata Tebaldi & Richard Tucker
Orchestra of the Lyric Opera of Chicago
Georg Solti
*FIRST INTERNATIONAL RELEASE ON DECCA CD
Recordings: Civic Opera House, Chicago, USA, 10 November 1956 (Live Recordings)
Remastering Engineer: Chris Bernauer
‘Much fine singing can be heard here … The ‘Gioconda’ duet is brilliant; and Simionato in her three arias is unfailingly dependable and stylistically authoritative.’ Gramophone, March 1958
‘Simionato is very impressive … Tebaldi makes a surprisingly good Tatiana […] and Bastianini’s ‘Chénier’ aria the best thing on the disc.’ Opera magazine, January 1958