One of the key recordings ever made of French court music, this seminal recording returns to the catalogue, now with each item and/or movement individually indexed. The offerings encompass both suites and cantatas. The music – written both for and around the court life of Versailles (1697 – 1747) – is sophisticated and elegant, taking us from the post-Lully era, to the final examples of great French baroque chamber music that of Leclair. The collection is notable for the pure, unsullied voice of the late Judith Nelson (a long-time collaborator with the Academy of Ancient Music) and cellist Christophe Coin’s narration in the slightly grisly account of the description of an operation to remove a gall-stone! The booklet includes the original note, texts and translations of the vocal items and Christopher Hogwood’s own written introduction for this reissue.
CD 1
FRANÇOIS COUPERIN
La Françoise (Les Nations)
Airs sérieux
MICHEL PIGNOLET DE MONTÉCLAIR
Le Triomfe de la Constance
JEAN-BAPTISTE FORQUERAY ‘LE FILS’
Suite No. 1
FRANÇOIS COUPERIN
Suite de Simphonie en Trio (Les Nations)
CD 2
JEAN-MARIE LECLAIR ‘L’AÎNÉ’
Violin Sonata in D major, Op. 9 No. 6
MARIN MARAIS
Suite in F major
Le Tableau de l’Opération de la Taille
MICHEL PIGNOLET DE MONTÉCLAIR
Pan et Syrinx
MARIN MARAIS
La Sonnerie de Sainte-Geneviève du Mont de Paris
Judith Nelson, soprano
Christophe Coin, bass viol
Monica Huggett, violin
The Academy of Ancient Music
Christopher Hogwood, harpsichord/director
Executive Producer: Ian Atkins
Recording Producer: Nicholas Parker
Recording Engineer: Adam Skeaping
Recording Location: St George the Martyr, Holborn, London, UK, June 1982
‘[Judith Nelson’s] performance of both the cantatas is full of warmth and expression … Christophe Coin gives a many-shaded account of Marais’s ‘La sonnerie‘ … Monica Huggett gives us a really splendid performance [of the Leclair], savouring the harmonies of the double-stopping seemingly without a care in the world.[… Fine playing and a fine, reverberant recording which captures every detail of the instruments’ character, make this a notable release. There is much repertoire here which is, furthermore, new to the catalogue.’ Gramophone