A major addition to the Ansermet discography: vividly coloured repertoire for which the conductor was renowned, in stereo recordings previously unreleased in any format. One of the greatest conductors of the last century, Ernest Ansermet got the whole world listening to new music by composers who were often personal friends: among them Debussy, Stravinsky (most […]
Bookends from the most successful partnership in the history of English light opera, in newly remastered Decca recordings. As the first full-length operatic collaboration between W.S. Gilbert and Sir Arthur Sullivan, The Sorcerer has never achieved the popularity of its immediate successor, H.M.S. Pinafore, yet there is much to enjoy in this satire (more gentle […]
An atmospheric Decca Phase 4 stereo recording of a much-loved Savoy opera. The work of the Australian musician, James Walker, can be found on many Eloquence releases but he appears here in an unfamiliar guise. He trained as a pianist both in his native Australia and at the Royal Academy of Music in London and […]
The first full-length D’Oyly Carte company recording of a late Savoy opera, newly remastered and generously coupled with a Phase 4 album featuring hit songs and numbers from the unequalled partnership of W.S. Gilbert and Sir Arthur Sullivan. Princess Ida is unusual among Savoy operas for having a pair of tenor leads and it is […]
Classic ‘50s accounts of Mendelssohn the teenage genius, the masterly orchestral tone-painter and the deft theatre composer, recorded by Decca and now reissued in new remasterings. With three of Mendelssohn’s most popular orchestral works, Eloquence continues its revival of the recorded legacy of Eduard van Beinum. Principal conductor of the Concertgebouw Orchestra from 1945 until […]
A Franck rarity coupled with a trio of Ravel masterpieces: a valuable addition to the Eloquence series of newly remastered reissues devoted to Eduard van Beinum. Although the Dutch conductor was renowned as an exponent of Austro-German composers from Mozart to Mahler, Van Beinum was master of a wide palette of orchestral timbre which made […]
A newly remastered collection of four original Decca albums featuring the Spanish mezzo-soprano at the height of her powers in the repertoire most associated with her, from Rossini to folk and popular songs from her native Spain. Born in 1935, Teresa Berganza was in her mid-twenties when she made the recordings on this album, yet […]
To complement a 2CD set of Rossini and Spanish songs entitled ‘Brava Berganza’ (482 6397), Eloquence has also reissued more buried treasure from the Decca discography of Teresa Berganza. The compilation takes its title from a 1961 album made, like the Rossini arias on ‘Brava Berganza’ with Sir Alexander Gibson conducting the orchestra of the […]
A comprehensive survey of the young Mendelssohn at his most prodigiously accomplished, in superbly cultivated performances by a classic Italian ensemble, including a recording never before issued on CD by Decca. In the 1960s and 70s, I Musici was synonymous for record collectors with Baroque music. Having been founded by graduates from Rome’s Accademia di […]
The sole, completed opera by one of the nineteenth-century’s most shrewd librettists, ‘Mefistofele’ has always held a tenuous place on the fringes of the repertoire but its merits were established in the minds and ears of countless record-buyers in the 1960s and 70s by this 1958 Decca recording, the first to be made in stereo […]
At a time when Donizetti was represented on the world’s stages by little more than ‘Lucia di Lammermoor’ and the recording industry was only beginning to capitalise on public hunger for the sublime art of bel canto, this complete recording of the composer’s first great international success was welcomed as a landmark in the history […]
The recorded legacy of Eduard van Beinum has been extensively documented on Eloquence. Previous issues have revealed the Dutch conductor’s mastery of and sympathy for 20th-century composers such as Sibelius (442 9487) and Britten (480 2337). His clear-headed approach to any score, combined with the refinement of the Concertgebouw Orchestra, particularly suit the music of […]
