One of the most significant violinists in gramophone history, Alfredo Campoli enjoyed tremendous success in the 1930s as a purveyor of light music both in concerts with his own salon orchestra and on Decca. A series of six, 2CD reissues from Eloquence focuses on the violinist’s postwar reinvention of himself as ‘Campoli’, the classical soloist. […]
One of the most significant violinists in gramophone history, Alfredo Campoli enjoyed tremendous success in the 1930s as a purveyor of light music both in concerts with his own salon orchestra and on Decca. A series of six, 2CD reissues from Eloquence focuses on the violinist’s postwar reinvention of himself as ‘Campoli’, the classical soloist. […]
One of the most significant violinists in gramophone history, Alfredo Campoli enjoyed tremendous success in the 1930s as a purveyor of light music, both in concerts with his own salon orchestra and on Decca. A series of six, 2CD reissues from Eloquence focuses on the violinist’s postwar reinvention of himself as ‘Campoli’, the classical soloist. […]
One of the most significant violinists in gramophone history, Alfredo Campoli enjoyed tremendous success in the 1930s as a purveyor of light music both in concerts with his own salon orchestra and on Decca. A series of six 2CD reissues from Eloquence focuses on the violinist’s postwar reinvention of himself as ‘Campoli’, the classical soloist. […]
One of the most significant violinists in gramophone history, Alfredo Campoli enjoyed tremendous success in the 1930s as a purveyor of light music both in concerts with his own salon orchestra and on Decca. A series of six 2CD reissues from Eloquence focuses on the violinist’s postwar reinvention of himself as ‘Campoli’, the classical soloist. […]
‘In every way the most transcendentally gifted young piano student I have heard in the last 25 years’ was Percy Grainger’s pronouncement of the young Eileen Joyce (1908–1991) when he first heard her play in 1926. From the goldfields in Western Australia whose capital city is the most remote in the world, Joyce defied incongruous and […]
From 1962 (when he made his Royal Festival Hall debut) to 1967 and again from 1981 to 1987, Simon Preston held posts at Westminster Abbey, initially as sub-organist then as organist and master of the choristers. These recordings were made during that first period: signing off the compilation in style, Widor’s ‘Toccata’ was in fact […]
An original album from the last days of the Argo label and a spectacular display of virtuosity in both composition and performance. Simon Preston had been a recording artist for almost three decades when in March 1988, he recorded this collection at the organ of the Methuen Memorial Music Hall in Boston. The instrument itself […]
Simon Preston’s complete recordings of Messiaen for Argo and Decca, newly remastered and compiled for the first time in a 2CD release. Preston championed Messiaen’s organ works both in recital and on disc, at a time when they were relatively unknown in England. Incredibly, he made his first Messiaen recording – of ‘L’Ascension’ – at […]
Music from five original Argo albums, newly remastered and compiled together for the first time in a 2CD set, with new booklet notes on the music and a tribute to Simon Preston. During the 1960s, it often seemed as if a new Simon Preston organ LP appeared every few months: so much in demand was […]
Three original Argo albums demonstrating the vitality and variety of 20th-century organ music, newly remastered and compiled together for the first time in a 2CD set, with new booklet notes on the music and a tribute to Simon Preston. Simon Preston had only left King’s College, Cambridge, (where he had been organ scholar) the previous […]
‘Der Zigeunerbaron’ (The Gypsy Baron) completes a trio of Strauss-family recordings made by Clemens Krauss for Decca in the early 1950s. Like ‘Die Fledermaus’ (482 7379) and his New Year Concerts (482 7364), it is now reissued by Eloquence, in a new remastering with a fresh editorial retrospective from Mike Ashman on the special chemistry […]
