Music from five original Argo albums, newly remastered and compiled together for the first time in a 2CD set, with new booklet notes on the music and a tribute to Simon Preston. During the 1960s, it often seemed as if a new Simon Preston organ LP appeared every few months: so much in demand was […]
Three original Argo albums demonstrating the vitality and variety of 20th-century organ music, newly remastered and compiled together for the first time in a 2CD set, with new booklet notes on the music and a tribute to Simon Preston. Simon Preston had only left King’s College, Cambridge, (where he had been organ scholar) the previous […]
‘Der Zigeunerbaron’ (The Gypsy Baron) completes a trio of Strauss-family recordings made by Clemens Krauss for Decca in the early 1950s. Like ‘Die Fledermaus’ (482 7379) and his New Year Concerts (482 7364), it is now reissued by Eloquence, in a new remastering with a fresh editorial retrospective from Mike Ashman on the special chemistry […]
Still considered by many to be the finest recording ever made of the jewel in Viennese operetta: ‘Die Fledermaus’ was one of a trio of Strauss-family recordings made by Clemens Krauss for Decca in the early 1950s. Like ‘Der Zigeunerbaron’ (482 7371) and his New Year Concerts (482 7364), it is now reissued by Eloquence, in […]
A series of three classic Decca studio albums, newly remastered and compiled in one complete set for the first time. Of all the conductors who have championed the music of the Strauss family with the Vienna Philharmonic, it is Clemens Krauss who was one of the greatest pioneers. He it was who conducted the first […]
At the age of 22, in 1963 when he became sub-Organist of Westminster Abbey, Simon Preston was already the anointed Crown Prince of the King of Instruments. The reputation of his virtuosity and stylish response to a repertoire of five centuries had spread far before him. Having left the Abbey in 1967, he then returned […]
The last recording by a pioneer of the Bach revival on record, newly remastered and issued internationally on CD for the first time. New editorial notes by Bach specialist, Nicholas Anderson, giving context and authoritative detail on the Christmas Oratorio, the career of Fritz Lehmann and this recording project. At Fritz Lehmann’s untimely death on […]
Camille Saint-Saëns was only 21 years of age when he wrote his Mass Op. 4 but the craftsmanship of both its vocal and instrumental writing, testifies to the accomplishment of an experienced composer at a tender age: as a prodigious student at the Paris Conservatoire he was awarded a first prize in organ at just […]
A pair of L’Oiseau-Lyre albums reissued together, including several items making their first appearance on Decca CD. The soprano, Jennifer Vyvyan, was taught at the Royal Academy of Music in London by Roy Henderson, coach of Kathleen Ferrier. With Henderson’s help she formed a secure technique and quickly won acclaim for both operatic and oratorio […]
The Argo LP of the ‘Symphony of Psalms’ and ‘Canticum Sacrum’ caused a stir when it was first issued in 1975. All previous recordings had used female voices for the upper parts but Stravinsky specifically asks for children’s voices in the Symphony and his old-fashioned score markings in the ‘Canticum Sacrum’ suggest that he had […]
This unique collection, newly remastered from original Philips recordings, documents the work of Dutch conductor, Eduard van Beinum, in Baroque and Rococo repertoire. Thanks to his celebrated recordings of Romantic composers – many of them reissued on previous Eloquence releases – such as Berlioz (482 5569), Brahms (442 9788) and Bruckner (480 7068), the conductor […]
There was a time – at least until 1960 – when Bach’s ensemble music was a familiar sight on the concert programs of symphonic orchestras. The musicians of an ensemble such as the Royal Concertgebouw Orchestra of Amsterdam understood this music and how to distinguish it from Mozart or Mahler or Stravinsky. But concerns of […]
