In the summer of 1804, while on a summer holiday in the village of Conventello near Ravenna, Rossini then aged twelve, composed his six ‘Sonate a quattro’ for two violins, cello and double-bass. Many years later, the composer wrote on the front of the manuscript: ‘First violin, second violin, violoncello and contrabass parts for six […]

For all the popularity and reinvention that now surrounds Antonio Vivaldi’s collected violin concertos known as ‘The Four Seasons’, it is difficult to believe there was a time when they were completely unknown. Like Vivaldi himself, whose once lofty reputation fell into complete obscurity following his death in Vienna in 1741, ‘The Four Seasons’ travelled […]

In 1872, when he composed his Cello Concerto No. 1, Camille Saint-Saëns was 37. Although he had already enjoyed a few successes, at that time he was far from being the established and well-respected figure in French music that he later would become. Nearly three decades went by before Saint-Saëns composed his Cello Concerto No. […]

Thomas’s opera Hamlet contains one of the most famous of all ‘mad scenes’ for the soprano, something of which Joan Sutherland made a speciality. In 1983, she recorded the opera in what was to be one of her final recordings of complete operas. The set is adorned with Michael Stennett’s beautiful portrait of Sutherland as […]

Stravinsky began work on ‘Petrushka’in the summer of 1910, shortly after the successful première of his first ballet, ‘The Firebird’. Like ‘The Firebird’, and ‘The Rite of Spring’ which came later, ‘Petrushka’ was written for Sergei Diaghilev’s Ballets Russes. The choreographer was Mikhail Fokine and the title role was danced by the mercurial, Vaslav Nijinsky. Nijinsky […]

Salvatore Accardo, born in Turin in 1941, brings an Italianate warmth and intensity to the music he plays – not just to fellow countrymen such as Vivaldi, Tartini and Paganini but also to Austrian and German composers. By the age of thirteen, he had performed Paganini’s Caprices in recital and he was an international competition […]

As a young man, Sibelius dreamed – not just figuratively but literally – of becoming an internationally acclaimed violin virtuoso. Sibelius’ best mature compositions, however, are free of mere showmanship and his Violin Concerto might be the composer’s attempt to reconcile the world of the flashy virtuoso with that of the brooding, Nordic ascetic. Whether […]

It is common to refer to ‘the’ Mendelssohn Violin Concerto – the one in E minor, Op. 64 – but earlier in his career, Mendelssohn composed another which was posthumously published. After falling into complete obscurity for a century, this score eventually found its way into the hands of Yehudi Menuhin who published the first […]

Although noted for his fearless and thrilling performances of music by Paganini for Deutsche Grammophon, Salvatore Accardo also recorded extensitvely for Philips in the 1970s and 80s. His repertoire ranged from Baroque music through to 19th and 20th century concertos, including the complete music for violin and orchestra by Bruch and concertos by Mendelssohn and Sibelius. Here, […]

Georg Solti studied piano with Bartók and although they never developed a close personal relationship, Solti was always in awe of the composer’s dedication and intensity. Bartók’s music featured regularly in Solti’s concert programs and he recorded the ‘Music for Strings, Percussion & Celesta’ and the ‘Dance Suite’ for Decca. This 1952 recording of the ‘Dance Suite’ with […]

Finzi – more master of the small-scale than the large-scale – had a fine ear for poetry and a great sensitivity in his verse settings. In 1978 and 1979, Richard Hickox made two LPs for Argo of (mainly) choral music by Gerald Finzi. Never issued in their entirety, they appear here complete on a 2CD […]

Georg Solti’s first recordings were as a pianist – those with the great German violinist, Georg Kulenkampff, here collected in their entirety. The two artists recorded Brahms’s G major sonata in February 1947 and Beethoven’s ’Kreutzer’ Sonata in June 1947. They completed the Brahms sonatas in July 1948. Sadly, this would be their only collaboration. Kulenkampff died […]