When Arthur Rubinstein first heard the fifteen-year-old Gilels perform in Odessa, he exclaimed ‘By God, I can’t describe it. If he comes to America, I might as well pack my bags and leave!’ ‘Serious without solemnity, profound without pomp, he was a citizen of the world,’ wrote Jeremy Siepmann of Gilels. ‘Like music itself, his […]

This, Hamish Milne’s first commercial recording, was made for Decca’s L’Oiseau-Lyre imprint. Reubke became a pupil of Liszt, upon the recommendation of Hans von Bülow, and the older composer developed a special regard for him. The Piano Sonata and Organ Sonata are the two substantial works Reubke (who died tragically early) left us, and the […]

Issued in the US under the title ‘Witches’ Brew’, Alexander Gibson and the New Symphony Orchestra of London recorded this album in 1959 and the performances remain today as characterful and incisive as they were then. While pieces from this recording have previously appeared on Decca, this is its first complete release on the label. […]

This, Ansermet’s only Wagner recording for Decca, was made in November 1963. He paces the ‘Meistersinger’ Prelude implacably and his Wagner interpretations have plenty of fire as well as richness and gravitas. Much requested for reissue, this recording finally makes its appearance on CD in the international arena.

Opera has entrenched itself in popular consciousness thanks to the much publicised concerts of The Three Tenors, outdoor stagings of such operatic blockbusters as ‘Aida’ and ‘Turandot’, opera concerts in the park, not to mention their ready incorporation into television advertisements – be it a British Airways aircraft floating in the clouds to the ‘Lakme’ Flower […]

One of the great troubadors of his time, Mario del Monaco has power, masculinity and virility to burn in his portrayal of Manrico on this recording of Trovatore. Tebaldi is a sweet and moving Leonora, excelling in such moments as ‘Tacea la notte placida’ and ‘D’amor sull’ali rosee’. Giulietta Simionato as Azucena leaves the most […]

Highlights from Solti’s thrilling reading of Aida, recorded in July 1961. With four of the leading Verdi singers of the 1960s and plenty of Soltian fire in the belly, this disc of highlights includes more than 71 minutes of music, featuring all the great arias and scenes – ‘Celeste Aida’, the ‘Triumphal March’ and the final […]

Tchaikovsky’s three piano concertos (including the third in Taneyev’s completion) are here collected for release in superbly colourful performances by Peter Jablonski with the Philharmonia. Peter Maag, for some time a conductor much associated with Decca (as witness his marvellous Mozart recordings, now on Decca Eloquence, as well as some glorious Mendelssohn) was meant to […]

Although they have been intermittently available, Walter Weller’s cycle of the three Rachmaninov Symphonies have hidden their blazing light under the Decca bushel for far too long. Recorded in absolutely thrilling Decca sound with L’Orchestre de la Suisse Romande (No. 1) and the London Philharmonic Orchestra (Nos. 2 and 3), these three masterpieces are now […]

Relative rarities among his output are Richard Strauss’ concertos, many written later in his life. This collection brings together works for oboe, clarinet and bassoon (the Duet Concertino) and the scintillating ‘Burleske’ for piano and orchestra. In addition to conducting the concertos, Ashkenazy also conducts the early tone poem ‘Aus Italien’ and Maazel’s humorous reading […]

Zubin Mehta’s LAPO recording of Strauss’ ‘Sinfonia Domestica’ has long been considered a benchmark and after a considerable absence from the catalogue reappears here, coupled with the later ‘Parergon’ for piano (left hand) and orchestra. Equally celebrated is Mehta’s reading of the ‘Alpine Symphony’ and the set concludes with one of Strauss’ earliest tone poems, […]

Strauss had a lifelong affair with the soprano voice and many of his songs were written with his wife Pauline’s voice in mind. This collection brings together five songs performed with crystalline purity by Christine Schaefer as well as some more dramatic settings performed by Karita Mattila, concluding with Mattila’s reading of the immortal Four […]