Karl Böhm’s recordings of any Mozart carried with it the imprint of greatness and those of the Mozart Symphonies have become benchmark recordings, renowned for their poise, elegance and essential beauty of sound.
Karl Böhm’s recordings of any Mozart carried with it the imprint of greatness and those of the Mozart Symphonies have become benchmark recordings, renowned for their poise, elegance and essential beauty of sound.
Karl Böhm’s recordings of any Mozart carried with it the imprint of greatness and those of the Mozart Symphonies have become benchmark recordings, renowned for their poise, elegance and essential beauty of sound.
The first CD release of Kertész’ recording of Mozart’s choral masterwork with some glorious solo singing. The work achieved huge popularity in the 1980s through its pivotal inclusion in the film ‘Amadeus’.
The greatest opera singers of this century perform arias from six of the finest Mozart operas
This is one of the most successful and stylish of Don Giovanni recordings. Having sung Donna Anna in her early (Giulini) recording, Sutherland here is, if anything, even more spine-tingling in this role. Bonynge and the English Chamber Orchestra, together with the Ambrosian Singers, really deliver the goods and the rest of the stellar cast […]
The essential single-CD-Mozart-companion with some of the most acclaimed performances of highlights from his masterworks, many of which were selected for inclusion in the legendary ‘Complete Mozart Edition’ on Philips Classics.
Among Abbado’s first recordings, these performances of two of Mendelssohn’s favourite symphonies are some of the most sparkling and vivid to have been recorded. They date from 1968 when Abbado was under contract to Decca and have remained benchmark recommendations for these works ever since
As one of the releases in our ‘Primavera Series’, featuring illustrations by the gifted artists whose work has been displayed at the annual Primavera Exhibition in Sydney, it is appropriate that this CD should be adorned by a series of illustrations that make up Victoria Lobregat’s ‘Cloud of Flowers’. The music itself could hardly have […]
Eschewing the barn-storming bravura of some of his colleagues, Claudio Arrau brought an extra dimension – a spiritual, meditative one – to his performances of Liszt and these recordings of the Concertos unfold with unequalled grandeur. Equally compelling are his expansive readings of the three ‘Études de Concert’.
This is a classic recording from 1968, of Leoncavallo’s one-act, grisly tale of ‘live’ murder during a village stage production. This is ‘verismo’ at its finest and most potent and the star-studded cast gives a thrilling, edge-of-the-seat performance.
The first release on CD of favourite soprano arias recorded by Leona Mitchell for Decca with simply ravishing orchestral playing to boot.
