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Beethoven: Symphonies Nos. 1-4; Coriolan Overture

April 22, 2016

In the latest instalment of the Decca Ansermet Legacy, Decca Eloquence introduces the Swiss conductor’s recordings of Beethoven – his symphony cycle, overtures and the rare Weingartner arrangement of the Grosse Fuge. They are issued as three 2CD sets. François Hudry, the supreme commentator on the art of Ernest Ansermet writes, “the new vision he […]

Beethoven: Symphony No. 9; Overtures – Prometheus, Fidelio, Leonore 2 & 3; Grosse Fuge

April 22, 2016

In the latest instalment of the Decca Ansermet Legacy, Decca Eloquence introduces the Swiss conductor’s recordings of Beethoven – his symphony cycle, overtures and the rare Weingartner arrangement of the Grosse Fuge. They are issued as three 2CD sets. François Hudry, the supreme commentator on the art of Ernest Ansermet writes, “the new vision he […]

BEETHOVEN: Symphonies Nos. 5-8; Egmont Overture

April 22, 2016

In the latest instalment of the Decca Ansermet Legacy, Decca Eloquence introduces the Swiss conductor’s recordings of Beethoven – his symphony cycle, overtures and the rare Weingartner arrangement of the Grosse Fuge. They are issued as three 2CD sets. François Hudry, the supreme commentator on the art of Ernest Ansermet writes, “the new vision he […]

Janacek: Sinfonietta; Taras Bulba; Concertino

April 22, 2016

Together with Sir Charles Mackerras, Rafael Kubelik’s name is synonymous with the music of Janacek. Here, reissued at budget price, are his superb readings of a trio of Janacek masterpieces recorded for Deutsche Grammophon, recordings that have plenty of weight, get to the heart of the emotion of the music as well as giving it […]

Pearl Fishers’ Duet

April 22, 2016

There is always a special pleasure in the blending of two fine voices, and composers have usually been happy to provide it during the course of their operas. Characters may join their voices in a unity of feeling, or in extreme disagreement, or in any one of the thousand shades in between. On this CD, […]

Flower Duet

April 22, 2016

Since the beginning of opera, the convention of the duet, in which two characters simultaneously express their feelings, has been one of the staple ploys of musical dramatists. Characters may join their voices in a unity of feeling, or in extreme disagreement, or in any one of the thousand shades in between; though in the […]

Hindemith: Symphony ‘Mathis der Maler’; Concert Music; Der Schwanendreher

April 22, 2016

William Steinberg made only three recordings for Deutsche Grammophon and his Hindemith recordings, authoritative, sumptuously recorded and pulsating with energy, are among the most invaluable in the Hindemith discography. Barenboim’s coupling of ‘Der Schwanendreher’ is no less welcome, offering what is substantially an important 20th-century viola concerto and being a viola player himself, Hindemith’s writing […]

Debussy: 16 Preludes

April 22, 2016

Debussy’s twenty-four Préludes, like Chopin’s, are surprisingly self-sufficient. Divided into two books, published in 1910 and 1913, the Préludes are an intimate record of Debussy’s inner and imaginative life. Their titles were after-thoughts rather than direct inspirations, largely because Debussy’s delicate and complex response to natural phenomena or human idiosyncrasy could hardly be contained or […]

Haydn: Symphonies Nos. 82-87 (‘Paris’ Symphonies)

April 22, 2016

Ernerst Ansermet was the first conductor to record the six ‘Paris’ symphonies of Haydn. Charming works, full of humorous touches, they were reissued often on LP with some of the most entertaining covers ever seen (these are reproduced in the booklet).

Schubert: Piano Sonatas D.959 & 784

April 22, 2016

Schubert and Jorge Bolet may seem rare bedfellows for a virtuoso who excelled in the music of Liszt and Rachmaninov and whose lineage extended, through his teacher David Saperton, to Leopold Godowsky (Saperton’s teacher). But he finds in this music both muscularity and strength and his grasp of the music’s visionary and often extensive and […]