Antony Rooley writes: ‘Since 1963 I had been spending many hours in the British Library studying the sixteenth-century English lute manuscripts … what a unique collection! The “Jane Pickering Lute Book”, “The John Sturt Lute Book”, “The Mynshall Lute Book” – all collections of one individual’s personal choice of repertoire, each with unique information on […]

Christmas Eve 1974 was a nightmare for the inhabitants of Darwin (in Australia’s Northern Territory) when it was destroyed by a violent cyclone. A Darwin Appeal Fund was launched and a month later, on 25 January 1975, Richard Bonynge conducted a fund-raising concert at the Royal Opera House, Covent Garden. The idea was that of […]

Anthony Rooley writes: ‘In the mid-1970s this humble lute-player had theatrical pretensions! I realised quite early on in my performing career that audiences generally needed more help to “get inside” the beautiful obscure music I was discovering and if their appetite was to be fostered, a new dimension in the manner of presentation had to […]

This set of three CDs contains the complete ‘Chansonnier Cordiforme’, perhaps the most beautiful of all surviving music manuscripts whose first owner was Jean de Montchenu (d. 1497). It was compiled during the 1470s and contains 43 songs from the preceding 30 years by Dufay, Binchois, Ockeghem, Busnoys and other composers of the time. This […]

Anthony Rooley writes: ‘Even in 1926 when Peter Warlock published his brief essay on the English Lute Songs, John Danyel was singled out as being perhaps the finest lute-song composer (John Dowland not excepted) by perceptive Warlock. Nobody believed him then and not much has changed now – but I agree with Warlock. John Danyel […]

What the French expected from opera changed in 1831 with the success of Meyerbeer’s ‘Robert le Diable’. Lengthy works with abundant scenic spectacle became practically obligatory and at least one ballet had to be included, in order to give the gentlemen of the influential Jockey Club an opportunity to see their favourites from the ‘corps […]

In 1981, Richard Bonynge, together with an illustrious cast of singers (Joan Sutherland, Kiri Te Kanawa, et. al.) and actors (Angela Lansbury, Warren Mitchell, Michael Hordern, et. al.) went into Kingsway Hall for a recording of a new edition (by Richard Bonynge and Douglas Gamley) of John Gay’s ‘The Beggar’s Opera’. Written in 1728, it […]

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Both Clarinet Quintets on this disc are late works of the respective composers and both were inspired by […]

A composer with an extraordinary ear for sonority, original in his outlook, sometimes misunderstood, now revered, Percy Grainger is one of Australia’s most unique sons, and, in the words of Sir Peter Pears, one of its “most independent and single-minded spirits”. Many of these recordings, of vocal and chamber orchestra pieces, were made by Decca […]

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Those who campaign against background music in shops, restaurants, hotel lobbies and lifts do not have history on […]

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. This collection brings together three of the most enduring chamber music masterpieces ever written. Mendelssohn’s Octet remains an […]

This recording forms part of a series of reissues celebrating the glorious Decca recordings from the 1950s-1970s of the Wiener Oktett (Vienna Octet), made up of key principals from the Wiener Philharmoniker and the Vienna Symphony Orchestra. Eclipsed now by the many composers of the first half of the 19th century who surrounded him, in […]