Westminster Abbey is a royal church, founded in 1065 by King Edward the Confessor, who was buried in the original Norman building only a few days after its consecration. Almost exactly two centuries later, in 1269, his body was ‘translated’ or removed to its present resting-place in the shrine east of the High Altar. It […]
Roy Goodman’s recording of the Allegri Miserere (in David Willcocks’ edition, sung in English) was its first, made in March 1963. Although reissued countless times, the complete Argo recording from which it emanates – Evensong for Ash Wednesday – has never before been released complete. Consisting of hymns, psalms and readings, this is a regular […]
Sir Adrian Boult made a selection of Decca recordings in the 1950s and 60s ranging from Baroque repertoire (Bach, Handel) to the music of the 20th century – most notably the first eight Vaughan Williams symphonies. Coupled together for the first time on CD are his two major Handel recordings for Decca – of the […]
Although Bach wrote four (or five) settings of the Passions only two have survived; the St. Matthew Passion (Matthäus-Passion) and the St John Passion. The St. Matthew Passion was probably first performed on Good Friday (11 April) 1727 in the Thomaskirche in Leipzig, where Bach was the Kantor of the School and Directoris Chori musici […]
In 1957, Fritz Wunderlich together with colleagues Friederike Sailer, Margarete Bence and August Messthaler, set down complete versions of three Bach choral works – the Magnificat, the Cantata BWV 31 and the Easter Oratorio. They were recorded for Philips in France. Both, the oratorio and the cantata Der Himmel lacht, Die Erde jubilieret (‘The heavens […]
The Creation is Haydn’s masterpiece, based on a lifetime of experience and reflecting the happy confidence of the eighteenth century. Although there are moments that presage the nineteenth century, it has none of the agonising of the Romantic period. Three years from the end of the eighteenth century it is a summation and celebration of […]
Renaissance secular music between 1480 and 1620 is large in quantity, high in quality, rich in colour, diverse in form and very different in content from a similar time-span of any later period with which we may be more familiar. This set of four compact discs provides a comprehensive survey of sixteenth-century secular music. Composers […]
Mendelssohn’s ‘Hear my prayer’ (or, in its English adaptation known as ‘O for the wings of a dove’) is a much loved piece of ‘Victoriana’, made famous by, among others, Master Ernest Lough. Often sung by boy sopranos, it is here performed by Felicity Palmer, traditionally a mezzo, but using the soprano register of her […]
Between 1976 and 1978, Zubin Mehta and the Israel Philharmonic Orchestra made recordings of the complete Schubert symphonies for Decca, as well as some of the incidental music for Rosamunde. Other than the Schumann symphonies, it was the only symphony cycle this tremendous Decca artist made for the label. The recordings were all made in […]
Between 1976 and 1978, Zubin Mehta and the Israel Philharmonic Orchestra made recordings of the complete Schubert symphonies for Decca, as well as some of the incidental music for Rosamunde. Other than the Schumann symphonies, it was the only symphony cycle this tremendous Decca artist made for the label. The recordings were all made in […]
Michael Haydn, brother of Joseph, was a highly proficient composer in his own right who earned the respect and affection of his contemporaries. A Gramophone reviewer described him thus: ‘He is a man whose character, it seems to me, always comes clearly through his music: he was cheerful, easygoing, unambitious (also, said the Mozarts, inclined […]
Mozart’s Symphonies Nos. 13-16 date from a period when the composer was devoting a great deal of his time to symphonic writing, and are particularly interesting from the light they shed on his gradual moulding of the essentially lightweight opera sinfonia to the weightier symphonic manner of Haydn and his Viennese contemporaries. They were penned […]
