‘Jephtha’ was the last full-length composition that Handel wrote. (‘The Triumph of Time and Truth’ of 1757 was almost entirely made up of pre-existing music.) Given this fact and also that the actual writing of it was an inordinately laborious task for Handel as he fought with rapidly failing eyesight, its incomparable depth of expression […]

In October 1880, at the age of 61, having poured out his high-spirited talent into over a hundred works for the stage, Offenbach lay exhausted on his deathbed. A strange figure wearing dark glasses and a floppy white cravat knocked at the door. It was Léonce, the comedian who had made such a big hit […]

During the 18th century, it was common for noblemen to employ numbers of musicians to entertain themselves and their guests, and to add dignity and colour to occasions of Church and State. Music was frequently written to form a pleasant background to dinners and parties. Serious or complex music would clearly have been inappropriate for […]

Elisabeth Söderström was a born storyteller. She told stories not just in music, but also peppered her recitals on stage with tales and anecdotes. It made her a perfect interpreter for the collection of children’s songs by Mussorgsky, Prokofiev and Gretchaninov that she recorded with Vladimir Ashkenazy in 1977–78 and which appear on CD2 of […]

The larger-than-life Régine Crespin, made only one song recital record for Decca, of music by Schumann, Wolf, Debussy and Poulenc. This is the first time the entire recital has been made available on CD. As her career progressed, Crespin became associated with certain roles – Kundry, Sieglinde, Brünnhilde, Tosca, the Marschallin – but she was […]

Born in 1888, the Russian soprano, Oda Slobodskaya, won a scholarship for secondary education but, having completed her schooling, to her displeasure, found herself working with her parents in a second hand clothes shop. Despite having no formal musical training, she travelled, at the age of eighteen, from her hometown of Vilno (then part of […]

‘You sing as if you had written it yourself!’ Jean Cocteau once told Dietrich Fischer-Dieskau. This anthology of lieder by Brahms and Schumann is a prime example of the great singer doing just that, mining every nuance of emotion from a song while, at the same time, sounding as spontaneous and free as if he […]

Birgit Nilsson. Richard Wagner. It was an operatic marriage made in heaven that lasted for over twenty years and, thanks to recordings, continues to thrill music lovers around the world. Nilsson sang her first Wagnerian part in Stockholm. It was Senta in Der fliegende Holländer. It was greeted rapturously and throughout her long career it was […]

Throughout much of the first half of the previous century, entertainer Harry Lauder was, in the words of Winston Churchill, ‘Scotland’s greatest ever ambassador!’ In the following years, Scotland’s next ‘greatest ever ambassador’ (if not Sean Connery!) must have been Kenneth McKellar, who was born in 1927, the son of a grocer, in the Scottish […]

As one of the leading interpreters of Russian music, and Benjamin Britten’s soprano for some of his works, including the mighty War Requiem, it may come as a surprise to some that Galina Vishnevskaya began her professional career in 1944, singing, of all things, Viennese operettas (in Russian translation!) in the chorus of a travelling […]

These recordings, made over the space of a decade from March 1954 to December 1964, capture Peter Pears in the high summer of his career and at the peak his powers, a period roughly framed by some of the highlights of his partnership with Benjamin Britten: the creation of the character of Peter Quint in […]

While Kiri Te Kanawa was still preparing for that career-defining debut as the Countess, she made a first Mozart disc under Colin Davis: a collection of sacred music, including the Solemn Vespers, KV 339, with its serene setting of ‘Laudate Dominum’, and Exsultate, jubilate. The Countess became the singer’s calling-card, and she repeated the role […]