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Russian Piano Encores

April 18, 2016

Given Russia’s richness in superstar pianists, it is not surprising that Russian composers have composed extensively for the piano. Some of the composers represented in this collection were impressive pianists in their own right and they composed music designed to display their own technique and artistry. Others were more modestly gifted as performers but still […]

Prokofiev: Ballet and Opera Transcriptions

April 18, 2016

Composers have always relied on piano transcriptions as a means of bringing selected extracts from large-scale dramatic works to the attention of a wider audience than would otherwise be possible and Prokofiev was no exception. Although he craved success as a composer of the stage and published a total of seventeen operas and ballets, he […]

Rachmaninov: Études-Tableaux, Op. 33 & Op. 39

April 18, 2016

The seventeen ‘Études-tableaux’ date from the last decade of Rachmaninov’s life in Russia. By this time he had completed Preludes in each of the major and minor keys and was ready to move in a slightly different direction. By qualifying the term with the word ‘tableau’, Rachmaninov seemed to be suggesting the introduction of a […]

Christine Schäfer sings Mélodies

April 18, 2016

The brief but close friendship between Chausson and Debussy was based, it would seem, on the attraction of opposites. The bourgeois, god-fearing, happily married Chausson, living on inherited money in a spacious apartment on the fashionable Boulevard de Courcelles, was free to pursue high-minded, respectable projects like his Symphony in B flat, declaring his allegiance […]

The Voice of Elena Souliotis

April 18, 2016

Elena Souliotis, hailed as a successor to Maria Callas, resembled a comet that flashed brightly across the operatic scene and was all too soon extinguished. With a lifelong love of horseriding and the outdoors, she often commented that she preferred animals to people.  She spent much of her childhood in the spectacular garden of her […]

Verdi: Songs

April 18, 2016

A real rarity – this. Verdi, famous for his operatic masterpieces, also found time to scale down his stage sentiments to the recital hall (or, in his time, the salon) to write songs. Throughout the 19th century, Italian opera composers wrote songs for the salon as part of their stock-in-trade. The texts were mostly conventional, […]

Haydn: Cello Concertos Nos. 1 & 2

April 18, 2016

Both of the marvellous cello concertos in this recording, written while Haydn was in the service of Prince Nikolaus Esterházy ‘The Magnificent’, have had checkered careers. In fact, had you asked at any point in the past 200 years how many cello concertos Haydn wrote, the answer would have varied from ‘None’ to ‘Six’. As […]

Schubert: Schwanengesang; Auf dem Strom

April 18, 2016

The eighteen songs included in this recording of Schwanengesang all belong to the last three years of Schubert’s life. The earliest of them, Am Fenster, was written in March 1826, while the last, Die Taubenpost, was finished only a few weeks before his death on 19 November 1828. Fourteen of them, seven by Ludwig Rellstab, […]

Handel: Rodelinda

April 18, 2016

‘Rodelinda’ stems from a period of great creativity in Handel’s life, 1724-25, following quickly on ‘Giulio Cesare and Tamerlano’ although it met with only moderate success. One of its first revivals was via the German Handel Society in the 1920s and then the Handel Opera Society revived it again, with a cast including Joan Sutherland, during […]

Felicity Lott sings Mozart

April 18, 2016

One of the most peerless Mozartians of our time, Felicity Lott, has been one of the foremost sopranos to essay the composer’s major roles in the opera house. Complementing these is her magnificent disc of concert arias as well as Mozart’s beloved motet ‘Exsultate, jubilate’ and arias from two of the composer’s lesser-known operas. The […]

Matthias Goerne sings German Arias

April 18, 2016

‘Operatic justice’, writes J.B. Steane in his informative and amusing note for this album, ‘is a law unto itself, and the baritone has been prominent among its victims. Unlucky in love, he is seen in the most favourable light as a father-figure and is otherwise all too often the villain of the piece. He may […]

A Venetian Christmas

April 18, 2016

Jean-Baptiste Duval of the Venetian Republic’s French Embassy records that on Christmas Eve 1607, Midnight Mass in St. Mark’s was celebrated by the light of more than one thousand candles, sixty huge torches and silver lamps. He counted no less than eight ‘choirs’ of voices and instruments sounding back and forth across the gilded vaults […]