Mendelssohn’s Octet, Op. 20 occupies a proud place in the history of works by indecently young composers; it is doubtful whether even such prodigies as Mozart and Schubert produced such an extended, mature work at the age of sixteen. Moreover, one of its movements granted the composer the honour of having an adjective named after […]

Arne’s Eight Harpsichord Sonatas was Christopher Hogwod’s first record for L’Oiseau-Lyre and this reissue marks its first international CD release. Whereas Arne’s career lay primarily in the theatre (his melodic gifts ensured success not only in Italianate opera but in masque and pantomime as well), an appointment in 1754 as composer to the Vauxhall Gardens […]

The Fitzwilliam Virginal Book is one of the most important collections of keyboard music of the 16th century. Recorded to accompany the Folio Society’s publication, ‘Music at Court’ (also written by Christopher Hogwood), this collection was imaginatively distributed to the Society’s members, together with suitable vintages to accompany the literary titles. To suit the music – […]

One of the key recordings ever made of French court music, this seminal recording returns to the catalogue, now with each item and/or movement individually indexed. The offerings encompass both suites and cantatas. The music – written both for and around the court life of Versailles (1697 – 1747) –  is sophisticated and elegant, taking […]

Weber’s operas surface reasonably regularly in opera companies’ repertoire around the world as do his Clarinet Concertos and Clarinet Quintet. So it is a joy to welcome to CD for the first time, a recording of his songs, specifically selected for reissue by Christopher Hogwood. It was recorded with the young Martyn Hill in 1976 […]

Tchaikovsky’s First Quartet, Borodin’s Second and Shostakovich’s Eighth are three of the finest quartets in the Russian repertory. They reveal that Russian composers were hardly less at home in the relatively private medium of the string quartet than when writing for the more spectacular full symphony orchestra. Both the Tchaikovsky and the Borodin have received […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Each of the works on this disc is associated with a notable cellist who made a career in Russia: the ‘Rococo Variations’ with the German player Wilhelm Fitzenhagen (1843–90), the ‘Andante cantabile’ with Anatoly Brandukov (1859–1930), the ‘Chant du Ménestrel’ with the Polish player Alexander Wierzbilowicz (1849–1911) and the Shostakovich Concerto with Mstislav Rostropovich (1927–2007) […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

While Richard Bonynge has long been associated with opera, particularly with that of the Bel Canto age, he has been one of the most active revivers and conductors of ballet in the 20th and 21st centuries. His recordings of the major Romantic classical ballet scores have been critically acclaimed but he has also been responsible for making […]

Two ‘Phase 4’ recordings reappear in their entirety on this double-CD of violin bon-bons. Josef Sakonov’s is of virtuoso violin pieces (including Sarasate’s ‘Zigeunerweisen’) and sentimental miniatures by Godard, Tchaikovsky, Ponce and others. This is the first international release of the complete original LP on CD. Erich Gruenberg’s recording centres around Fritz Kreisler – as […]

Barry Tuckwell and Mozart are synonymous. He recorded the composer’s works several times during his horn-playing career, beginning with the Horn Concertos recorded with Peter Maag. In July 1983, he recorded them again, directing the English Chamber Orchestra from the horn. The sessions extended to include many of Mozart’s chamber works with horn – the […]