Lorin Maazel’s late-1970s recordings of the L’Arlésienne suites and Jeux d’enfants remain some of the most scintillating and beautifully recorded in the catalogue. They have received limited CD release and are back now, coupled with a rare recording by Sir Alexander Gibson of the Carmen Suite and Weller’s much-requested recording of Dukas’s Sorcerer’s Apprentice, both […]
Shakespeare and Byron meet for a double-CD of Maazel’s recordings of two of Berlioz’s symphonies for Decca, coupled with the Roman Carnival Overture, included on an Overtures disc for Decca. Back on CD after a long absence, the 1972 Vienna Roméo boasts a stellar vocal cast.
Lorin Maazel’s recording of the Coq d’Or Suite is considered one of the glories of the fabled Decca Sound and was first reissued on CD as part of Decca’s ‘Legends’ series. This set marks the first international release on CD of his recording of the composer’s Arabian Nights ‘fantasy’, Scheherazade as well as the Capriccio […]
‘Il prigioniero’ (The Prisoner), an opera in a prologue and one act with both music and libretto written by Luigi Dallapiccola, was first broadcast by the Italian radio station RAI on 1st December 1949. The work is based on the short story ‘La torture par l’espérance’ (“Torture by Hope”) by the French writer Auguste Villiers […]
‘Dvořák’s Eighth Symphony’, wrote Bernard Shaw following a performance at the Crystal Palace in 1893, ‘is very nearly up to the level of a Rossini overture, and would make excellent promenade music at the summer fêtes out in the grounds.’ In advancing this view, Shaw turned on its head an essential quality of Dvořák’s music […]
For thirty years, from 1960 to 1990, Nicolai Ghiaurov was an indispensable figure on the international operatic scene. His voluminous base, incisive delivery and imposing presence meant that he was in demand in every centre of opera. His range of roles stretched from Mozart and Rossini through to Verdi and Puccini and many parts in […]
On 11th June 1944, Karl Böhm conducted ‘Ariadne auf Naxos’ at the Vienna State Opera. It was, in his own words, ‘despite the dark shadows cast by the war which was already long since lost, a feast for musical Vienna’. The occasion was the 80th birthday of Richard Strauss which would have undoubtedly been celebrated […]
Except among record collectors and an ever dwindling number of music lovers who were lucky enough to have heard him conduct in public prior to his death in 1955, Van Kempen remains little more than a name in a book. The reasons for his relative obscurity are not that difficult to understand. Outside The Netherlands […]
‘Wales is rich in folk songs and the art of singing these songs is very much alive today,’ writes Osian Ellis in the original note (reprinted in the CD booklet) accompanying this L’Oiseau-Lyre LP. Renowned for his harpistry and to many through his recordings of music by Benjamin Britten (with whom he worked closely), this […]
Ion Voicu was a legend in his own country, Romania and in the profession at large and appeared in most major musical centres. Yet he was not as well known in the English-speaking countries as he should have been. The long cold war and the dictatorial regime in his native land were mainly to blame […]
The bass voice (basso, encompassing both baritone and bass in our modern terminology) occupies a special place in Bach’s sacred vocal music. As the two great Passion settings testify, it was the solo bass that represented the vox Christi or ‘voice of Christ’, following an established tradition in church music. Matthias Goerne is here at […]
Completed in 1719 and first performed in 1733, Handel’s opera seria Orlando is widely recognised as one of the eighteenth century’s greatest operas. One of the work’s most acclaimed recordings is that of Christopher Hogwood, with a stellar line-up of Baroque vocal specialists, including James Bowman, in the title role and Emma Kirkby and David Thomas. […]
