Lorin Maazel had a long history of recording with Decca and many of his recordings are being reissued on Eloquence. Thrilling sound and vigour mark the performances of Maazel’s 1970s Brahms cycle from Cleveland, and Gramophone made a note of the superb quality of the sound engineering. The set is issued internationally on CD for the first […]
Some of Lorin Maazel’s first recordings were made for Deutsche Grammophon when he was merely 27. This collection presents vivid performances of three great twentieth-century ballet scores, all infused with the folk rhythms of their respective composers’ native lands – Falla’s Andalusia and Stravinsky’s Russia. Both composers also exploited the most sophisticated orchestral textures available to […]
Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique but was also capable of great delicacy at the keyboard. The core of his repertoire was […]
Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique but was also capable of great delicacy at the keyboard. The core of his repertoire was […]
Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique but was also capable of great delicacy at the keyboard. The core of his repertoire was […]
Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique but was also capable of great delicacy at the keyboard. The core of his repertoire was […]
Lazar Berman, a bear of a man whom The Times of London called ‘one of the last unabashed exponents of the Romantic tradition of Russian pianism’, was known for the power of his playing and for his prodigious technique, but was also capable of great delicacy at the keyboard. The core of his repertoire was […]
Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]
The late 1960s and early 1970s were a fertile period for the Bonynge–Sutherland duo. Whilst fulfilling a fiendish concert schedule, they produced a string of opera sets for Decca with leading artists of the day which have become classics of the catalogue: ‘La fille du regiment’ (1968), ‘Lakmé’, ‘Les Huguenots’, ‘Romantic French Arias’ (all 1969!), […]
Among the bel canto and verismo operatic repertoire Richard Bonynge recorded for Decca, he also found time to unearth much hitherto forgotten ballet scores as well as forgotten music from the Baroque and Classical eras. Music by J.C. Bach and Salieri were recorded, rare Baroque overtures were explored and he also recorded three largely forgotten […]
Karl Böhm’s only studio version of this work was recorded in 1958. When Deutsche Grammophon originally planned the recording, there were already two rival versions on the market: the Decca recording under Erich Kleiber and EMI’s version under Herbert von Karajan. Karajan’s recording was made in December 1956 and should have included Irmgard Seefried as […]
When the young Karl Böhm, fresh from his studies in Vienna, returned to Graz to take up a post at the opera house which had a good reputation, his place, naturally, was at the bottom of the ladder and the operas of the great Richard Strauss were quite simply out of his reach. He conducted […]
