Scarlatti & Soler: Keyboard Sonatas


Scarlatti & Soler: Keyboard Sonatas
Alicia de Larrocha
Label
Decca
Catalogue No.
4806882
Barcode
00028948068821
Format
1-CD
About

Celebrated for her glorious traversals of 19th and 20th-century Spanish piano repertoire, on this recording Alicia de Larrocha harks back to the Baroque, offering a selection of sonatas by Scarlatti as well as the much lesser-known ones of his contemporary (and her compatriot) Soler. Sandwiched between, is her recording of the fifth of Handel’s keyboard suites with its celebrated ‘Harmonious Blacksmith’ variations. This issue forms part of a survey of Larrocha’s celebrated Decca recordings with some of them (on this issue, the Scarlatti sonatas Kk. 8 and 10) appearing on CD for the first time. Six of the Soler sonatas appear from Larrocha’s Scarlatti/Soler recording with a further two (tracks 18 and 19) from a recital of Spanish encores.

TRACK LISTING / ARTISTS

DOMENICO SCARLATTI
Sonata in D minor, Kk.9
Sonata in F major, Kk.6
Sonata in D minor, Kk.10
Sonata in G minor, Kk.8
Sonata in G major, Kk.13
Sonata in C minor, Kk.11
Sonata in E major, Kk.28

GEORGE FRIDERIC HANDEL
Suite No. 5 in E major, HWV 430

ANTONIO SOLER
Sonata in D minor
Sonata in C sharp minor
Sonata in D major
Sonata in G minor
Sonata in F sharp minor
Sonata in F major
Sonata in G minor
Sonata in D major

Alicia de Larrocha, piano

Recording information

Recording Producers: James Walker (Scarlatti, Soler: 12–17); Michael Haas (Handel); Michael Woolcock (Soler: 18–19)
Balance Engineers: Simon Eadon (Scarlatti, Handel, Soler: 12–17); Colin Moorfoot, John Dunkerley (Soler: 18–19)
Recording Locations: Kingsway Hall, London, UK, May 1974 (Soler: 18–19); Decca Studio 3, West Hampstead, London, UK, 4 September 1979 (Scarlatti), 2–6 September 1980 (Soler: 12–17); Henry Wood Hall, London, UK, January 1986 (Handel)

Reviews

‘a quality of gentility [in the Scarlatti] … and the Soler is splendid’ (Scarlatti & Soler sonatas) Gramophone, December 1981

‘vivid contrasts of dynamics, colour and touch, plus quite a show of bravura in the famous concluding ‘Harmonious Blacksmith Variations’ (Handel) Gramophone, September 1987

‘On the up-tempo Scarlatti, and on the Handel with its famous Harmonious Blacksmith variations, Larrocha is bright and clear’ Fanfare