The Last Night of the Proms
Sir Colin Davis
Label
Decca
Catalogue No.
4829370
Barcode
00028948293704
Format
2-CD
About

Compiled together for the first time, historic recordings of the grand finale to the world’s greatest music festival.

In 1969, Philips captured the unique atmosphere of the Last Night of the Proms. Master of ceremonies was Sir Colin Davis who had become chief conductor of the BBC Symphony Orchestra two years earlier. During the 1960s, he had also begun an association with the Dutch label that quickly won critical acclaim for his assured handling of choirs, heard to advantage in a 1966 BBCSO recording of Handel’s ‘Messiah’, his genial and authoritative way with English music from Elgar to Tippett and his passionate conviction and dedication to the music of Hector Berlioz.

All these qualities can be enjoyed in this anthology. The excerpts selected by Philips from the 1969 Last Night began with ‘Cockaigne’ – perhaps the best introduction to the music of Elgar for its brilliant orchestration as well as its grandeur in evoking the spirit of London – and continued with the concert’s concluding ritual of ‘Pomp and Circumstance’, ‘Rule Britannia’, ‘Jerusalem’ and the National Anthem.

The album scored a hit – Davis did not share the ebullient showmanship of his predecessor at the helm of the Last Night, Sir Malcolm Sargent and yet he brought to the occasion an authority of his own – and so Philips recorded a sequel of excerpts from both the 1971 and 1972 occasions. A special highlight is Jessye Norman, in her vocal prime, singing two of Wagner’s ‘Wesendonck Lieder’. In fact, Philips also worked-in some of the 1969 material for the patriotic items; this Eloquence reissue presents both original albums complete and newly remastered from the analogue sources.

TRACK LISTING / ARTISTS

THE LAST NIGHT OF THE PROMS
1969/1971/1972 – HIGHLIGHTS

CD 1
Commentary
EDWARD ELGAR: Cockaigne Overture, Op. 40 (In London Town)
EDWARD ELGAR: Pomp and Circumstance March No. 1 (with reprise)
Commentary
HENRY WOOD: Fantasia on British Sea Songs
HUBERT PARRY (arr. Elgar): Jerusalem– Commentary
Sir Colin Davis: speech / Happy Birthday (audience)
TRADITIONAL: God Save the Queen

CD 2
HECTOR BERLIOZ: Hail, all hail to the Queen (Les Troyens)
RICHARD WAGNER: Schmerzen; Träume (Wesendonck Lieder)
FELIX MENDELSSOHN: Scherzo (from Octet in E flat major, Op. 20)
WILLIAM WALTON: The Contrast; Rhyme (A Song for the Lord Mayor’s Table)
EDWARD ELGAR: Pomp and Circumstance March No. 1
WILLIAMSON: The Stone Wall – A Cassation for Audience and Orchestra
THOMAS ARNE: (arr. Sargent) Rule Britannia
HUBERT PARRY: (arr. Elgar) Jerusalem
Sir Colin Davis: speech
TRADITIONAL: God Save the Queen

Jessye Norman, soprano (Wagner)
Elizabeth Bainbridge, mezzo-soprano (Walton; Arne: CD2)
BBC Chorus
BBC Singers
BBC Choral Society
BBC Symphony Orchestra
Colin Davis

Track previews
Commentary (1 / Live at Royal Albert Hall, London / 1969-1972)
Jerusalem (With Commentary / Live at Royal Albert Hall, London / 1969-1972)
Colin's Speech (Recorded 1972 / Live at Royal Albert Hall, London / 1969-1972)
Jerusalem (Live at Royal Albert Hall, London / 1969-1972)
Rule Britannia (Live at Royal Albert Hall, London / 1969-1972)
The Stone Wall (Live at Royal Albert Hall, London / 1969-1972)
Pomp and Circumstance, Op. 39: March, No. 1 in D Major (Recorded 1972 / Live at Royal Albert Hall, London / 1969-1972)
A Song For The Lord Mayor's Table: 6. Rhyme (Live at Royal Albert Hall, London / 1969-1972)
A Song For The Lord Mayor's Table: 5. The Contrast (Live at Royal Albert Hall, London / 1969-1972)
Octet in E-Flat, Op. 20, MWV R20 - Mendelssohn: 3. Scherzo - Orchestral Version (Live at Royal Albert Hall, London / 1969-1972)
Wesendonck Lieder, WWV 91: 5. Träume (Live at Royal Albert Hall, London / 1969-1972)
Wesendonck Lieder, WWV 91: 4. Schmerzen (Live at Royal Albert Hall, London / 1969-1972)
Les Troyens, H 133: Hail, All Hail to the Queen (Live at Royal Albert Hall, London / 1969-1972)
God Save The Queen (Recorded 1969 / Live at Royal Albert Hall, London / 1969-1972)
Colin's Speech (Recorded 1969 / Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 9. Rule, Britannia! (Encore / Live at Royal Albert Hall, London / 1969-1972)
Overture Cockaigne, Op. 40 (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 9. Rule, Britannia! (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 8. See the conqu’ring hero comes (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 7. Home, sweet Home (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 6b. Clarinet cadenza (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 6a. Farewell and Adieu, ye Spanish Ladies (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 5. Jack’s the Lad (Hornpipe) [Encore / Live at Royal Albert Hall, London / 1969-1972]
Fantasia on British Sea Songs: 5. Jack’s the Lad (Hornpipe) [Live at Royal Albert Hall, London / 1969-1972]
Fantasia on British Sea Songs: 4. Tom Bowling (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 3. The Saucy Arethusa (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 2. The Anchor’s Weighed (Live at Royal Albert Hall, London / 1969-1972)
Fantasia on British Sea Songs: 1. Bugle Calls (Live at Royal Albert Hall, London / 1969-1972)
Commentary (2 / Live at Royal Albert Hall, London / 1969-1972)
Pomp and Circumstance, Op. 39: March No. 1 in D Major (Recorded 1969 / Live at Royal Albert Hall, London / 1969-1972)
God Save The Queen (Recorded 1972 / Live at Royal Albert Hall, London / 1969-1972)
Recording information

Recordings: Royal Albert Hall, London, UK, 13 September 1969 (CD1, CD2: Elgar, Parry, National Anthem), 18 September 1971 (CD2: Williamson, Arne), 16 September 1972 (CD2: Berlioz, Mendelssohn, Wagner, Walton) – Live Recordings
Remastering Engineer: Chris Bernauer
First LP Release on Philips: SFM 23033 / 6502 001 (CD1); 6588 011 (CD2)

Reviews

‘The recording is remarkably successful, capturing the occasion with realism … I hugely enjoyed this record.’ Gramophone, November 1969

‘A thrilling live recording … For a few moments even an overseas realist is hypnotized into believing that Britannia really does still rule the waves … Even the sourest Anglophobe can’t possibly remain unmoved.’ High Fidelity, October 1971

‘Jessye Norman in gloriously warm, Flagstad-like voice … a really personal choice of items [by Davis] … The fare is musically rewarding as well as good fun.’ Gramophone, November 1972